On 1960, the song "Four Excursions, Op. 20: No. 3. Allegretto" was released by Samuel Barber, André Previn. The duration of Four Excursions, Op. 20: No. 3. Allegretto is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Four Excursions, Op. 20: No. 3. Allegretto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 12 in Barber's Adagio - Orchestral & Chamber Works by Samuel Barber, E. Power Biggs, André Previn, Philadelphia Woodwind Quintet, Eugene Ormandy, Thomas Schippers, Beaux Arts String Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Four Excursions, Op. 20: No. 3. Allegretto is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Four Excursions, Op. 20: No. 3. Allegretto by Samuel Barber, André Previn is Andante (at a walking pace), since this song has a tempo of 91 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Carnaval des Animaux, R. 125: Akvarium | Camille Saint-Saëns, Pittsburgh Symphony Orchestra, André Previn | A Minor | 0 | 8A | 82 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.4 in F Major (Tempo di minuetto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | F Major | 1 | 7B | 119 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Serenade, Op. 1: II. Andante con moto | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 83 BPM | ||
6 Melodies, Op. 4 - 6 melodies, Op. 5: Allegretto | Fanny Mendelssohn, Beatrice Rauchs | G Minor | 1 | 6A | 107 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act I: No. 7, Sujet | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Major | 0 | 12B | 181 BPM | ||
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
Mendelssohn: 3 Fantaisies, Op. 16: III. Andante | Felix Mendelssohn, Doomin Kim | E Major | 0 | 12B | 74 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 3: Scene. Danse de fançailles | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | F Major | 5 | 7B | 148 BPM | ||
String Quartet in B Minor, Op. 11: II. Molto adagio | Samuel Barber, Miró Quartet | B♭ Minor | 1 | 3A | 88 BPM |