Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra made "Symphonie espagnole, Op. 21: V. Rondo" available on 1968. Since Symphonie espagnole, Op. 21: V. Rondo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Édouard Lalo, Itzhak Perlman's "Lalo: Symphonie espagnole - Ravel: Tzigane" album is number 5 out of 6. In terms of popularity, Symphonie espagnole, Op. 21: V. Rondo is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Symphonie espagnole, Op. 21: V. Rondo by Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: II. Romanze | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Major | 0 | 8B | 97 BPM | ||
Masquerade - Ballet Suite: 1. Waltz | Aram Khachaturian, London Symphony Orchestra, Stanley Black | C Major | 3 | 8B | 100 BPM | ||
24 Caprices, Op.1 (2000 - Remaster): No. 21 in A | Niccolò Paganini, Itzhak Perlman | A Major | 1 | 11B | 57 BPM | ||
A Dream Discarded | John Williams, Yo-Yo Ma, Itzhak Perlman | A Minor | 0 | 8A | 80 BPM | ||
Piano Concerto No.2 in G Major, Op. 44: II. Andante non troppo | Vladimir Ashkenazy, Sydney Symphony Orchestra, Garrick Ohlsson | D Major | 1 | 10B | 73 BPM | ||
La Chasse (Caprice) (in the style of Cartier) | Itzhak Perlman, Samuel Sanders | B♭ Major | 5 | 6B | 180 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: III. Allegro | Johann Sebastian Bach, Zubin Mehta, New York Philharmonic, Isaac Stern, Itzhak Perlman | D Minor | 4 | 7A | 96 BPM |