Franz Schubert, Pascal Devoyon, Dong-Suk Kang made "Violin Sonata (Sonatina) in A Minor, Op. 137, No. 2, D. 385: I. Allegro moderato" available on August 1, 1991. Since Violin Sonata (Sonatina) in A Minor, Op. 137, No. 2, D. 385: I. Allegro moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Schubert: Violin Sonatas (Sonatinas)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Violin Sonata (Sonatina) in A Minor, Op. 137, No. 2, D. 385: I. Allegro moderato is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Violin Sonata (Sonatina) in A Minor, Op. 137, No. 2, D. 385: I. Allegro moderato by Franz Schubert, Pascal Devoyon, Dong-Suk Kang having a テンポ of 114 with a half-time of 57 テンポ and a double-time of 228 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: IV. Finale marziale: Andante - Allegro | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Major | 2 | 10B | 78 BPM | ||
Monn: Cello Concerto in G Minor: II. Adagio | Georg Matthias Monn, Sir John Barbirolli, Valda Aveling, London Symphony Orchestra | E♭ Major | 1 | 5B | 141 BPM | ||
Bizet: L'Arlésienne, Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 0 | 5B | 81 BPM | ||
Sorochintsy Fair: Hopak (Arr. For Violin and Piano) | Modest Mussorgsky, Nathan Milstein, Georges Pludermacher | G Major | 2 | 9B | 138 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16 - "Italian": II. Andante con moto | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | A Minor | 2 | 8A | 95 BPM | ||
Cello Sonata No.2 in F major, Op.123: I. Maestoso, largamente - Tranquillo | Camille Saint-Saëns, Jamie Walton, Daniel Grimwood | E♭ Major | 2 | 5B | 176 BPM | ||
Concerto for 2 Mandolins, Strings and Continuo in G Major, RV. 532: I. Allegro | Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock | A♭ Minor | 3 | 1A | 80 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 16 in G Minor | Niccolò Paganini, Itzhak Perlman | G Minor | 3 | 6A | 82 BPM | ||
Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM |