Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis"

Pyotr Ilyich Tchaikovsky, Neil Shicoff, Orchestre de Paris, Semyon Bychkov
Tchaikovsky: Eugene Onegin
6:41 1993年1月1日
テンポ
84
キー
E Minor
キャメロットミュージックキー
9A

リンクを埋め込む

共有

Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis" - Pyotr Ilyich Tchaikovsky, Neil Shicoff, Orchestre de Paris, Semyon Bychkov 情報

音響性
98%
ダンサビリティ
18%
エネルギー
11%
手段性
0%
活気
9%
ラウドネス
62%
話し言葉
5%
価数
4%
人気
ラウドネス
-23.02 dB

まとめ

"Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis"" by Pyotr Ilyich Tchaikovsky, Neil Shicoff, Orchestre de Paris, Semyon Bychkov was released on January 1, 1993. Since Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 30 in the song's album "Tchaikovsky: Eugene Onegin". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Netherlands. Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis" テンポ

With Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis" by Pyotr Ilyich Tchaikovsky, Neil Shicoff, Orchestre de Paris, Semyon Bychkov having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis" キー

This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

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ISRC
NLA509004922
レコードレーベル
L-M Records/RCA Records