Palestrina: Act III - "Wie lange sie bleiben"

Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier
Pfitzner: Palestrina
8:56 1990日
テンポ
87
キー
F♯ Major
キャメロットミュージックキー
2B

リンクを埋め込む

共有

Palestrina: Act III - "Wie lange sie bleiben" - Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier 情報

音響性
96%
ダンサビリティ
22%
エネルギー
7%
手段性
1%
活気
13%
ラウドネス
59%
話し言葉
4%
価数
4%
人気
ラウドネス
-24.397 dB

まとめ

"Palestrina: Act III - "Wie lange sie bleiben"" by Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier was released on 1990. Since Palestrina: Act III - "Wie lange sie bleiben" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 21 in the song's album "Pfitzner: Palestrina". In this album, this song's track order is #5. Palestrina: Act III - "Wie lange sie bleiben" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Palestrina: Act III - "Wie lange sie bleiben" テンポ

With Palestrina: Act III - "Wie lange sie bleiben" by Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Palestrina: Act III - "Wie lange sie bleiben" キー

This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Der Freischütz, J. 277 / Act 1: Der Freischütz, J. 277 / Act 1: "Was gibt's hier?"Carl Maria von Weber, Gerd Biewer, Peter Hölzel, Hans Jörn Weber, Gerhard Paul, Alfred Woronetzki, Monika Hildebrand, Use Rainer, Gerlind SchulzeE Major212B100 BPM
Das Lied von der Erde: Von der Jugend by Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre BoulezDas Lied von der Erde: Von der JugendGustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre BoulezG Minor16A79 BPM
Mass No. 6 in E-Flat Major, D. 950: Sanctus: Sanctus Dominus by Franz Schubert, Birte Kulawik, Dorothea Craxton, Cornelia Rosenthal, Raimund Minarschik, Rolf Ehlers, Klaus Schredl, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-JensenMass No. 6 in E-Flat Major, D. 950: Sanctus: Sanctus DominusFranz Schubert, Birte Kulawik, Dorothea Craxton, Cornelia Rosenthal, Raimund Minarschik, Rolf Ehlers, Klaus Schredl, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-JensenD Major310B142 BPM
Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo by Johann Sebastian Bach, Simone Dinnerstein, Staatskapelle BerlinKeyboard Concerto No. 5 in F Minor, BWV 1056: II. LargoJohann Sebastian Bach, Simone Dinnerstein, Staatskapelle BerlinA♭ Major04B59 BPM
Symphony No.2 in C minor - Symphony No.2 in C minor - "Resurrection" / 5th Movement: Etwas bewegter (Solo: "O Glaube")Gustav Mahler, Latonia Moore, Nadja Michael, Wiener Philharmoniker, Gilbert Kaplan, Wiener Singverein, Johannes PrinzA♭ Major04B81 BPM
Puccini : Messa di Gloria : I Kyrie by Giacomo Puccini, Claudio Scimone, Philharmonia OrchestraPuccini : Messa di Gloria : I KyrieGiacomo Puccini, Claudio Scimone, Philharmonia OrchestraA♭ Major14B123 BPM
Carmen, Act IV: No.25 Choeur : A la cuartos! (Marchands et Marchandes/Zuniga/Une marchande/Un bohémien) by Georges Bizet, Nicolas Cavallier, Michel Plasson, Wolff, Orchestre National Du Capitole De ToulouseCarmen, Act IV: No.25 Choeur : A la cuartos! (Marchands et Marchandes/Zuniga/Une marchande/Un bohémien)Georges Bizet, Nicolas Cavallier, Michel Plasson, Wolff, Orchestre National Du Capitole De ToulouseE Major012B79 BPM
Carmina Burana / Uf dem Anger: Reie - Carmina Burana / Uf dem Anger: Reie - "Swaz hie gat umbe" - "Chume, chum geselle min"Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen JochumF Major07B135 BPM
Das Rheingold / Erste Szene: Das Rheingold / Erste Szene: "Weia! Waga! Woge du Welle!"Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg SoltiC Minor25A70 BPM
Der Jüngling an der Quelle, D.300 by Franz Schubert, Jonas Kaufmann, Helmut DeutschDer Jüngling an der Quelle, D.300Franz Schubert, Jonas Kaufmann, Helmut DeutschA Major011B174 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records