"Palestrina: Act III - "Wie lange sie bleiben"" by Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier was released on 1990. Since Palestrina: Act III - "Wie lange sie bleiben" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 21 in the song's album "Pfitzner: Palestrina". In this album, this song's track order is #5. Palestrina: Act III - "Wie lange sie bleiben" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Palestrina: Act III - "Wie lange sie bleiben" by Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Freischütz, J. 277 / Act 1: "Was gibt's hier?" | Carl Maria von Weber, Gerd Biewer, Peter Hölzel, Hans Jörn Weber, Gerhard Paul, Alfred Woronetzki, Monika Hildebrand, Use Rainer, Gerlind Schulze | E Major | 2 | 12B | 100 BPM | ||
Das Lied von der Erde: Von der Jugend | Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez | G Minor | 1 | 6A | 79 BPM | ||
Mass No. 6 in E-Flat Major, D. 950: Sanctus: Sanctus Dominus | Franz Schubert, Birte Kulawik, Dorothea Craxton, Cornelia Rosenthal, Raimund Minarschik, Rolf Ehlers, Klaus Schredl, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Major | 3 | 10B | 142 BPM | ||
Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Simone Dinnerstein, Staatskapelle Berlin | A♭ Major | 0 | 4B | 59 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Etwas bewegter (Solo: "O Glaube") | Gustav Mahler, Latonia Moore, Nadja Michael, Wiener Philharmoniker, Gilbert Kaplan, Wiener Singverein, Johannes Prinz | A♭ Major | 0 | 4B | 81 BPM | ||
Puccini : Messa di Gloria : I Kyrie | Giacomo Puccini, Claudio Scimone, Philharmonia Orchestra | A♭ Major | 1 | 4B | 123 BPM | ||
Carmen, Act IV: No.25 Choeur : A la cuartos! (Marchands et Marchandes/Zuniga/Une marchande/Un bohémien) | Georges Bizet, Nicolas Cavallier, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | E Major | 0 | 12B | 79 BPM | ||
Carmina Burana / Uf dem Anger: Reie - "Swaz hie gat umbe" - "Chume, chum geselle min" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 0 | 7B | 135 BPM | ||
Das Rheingold / Erste Szene: "Weia! Waga! Woge du Welle!" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | C Minor | 2 | 5A | 70 BPM | ||
Der Jüngling an der Quelle, D.300 | Franz Schubert, Jonas Kaufmann, Helmut Deutsch | A Major | 0 | 11B | 174 BPM |