"Psaume 42, Op. 42: Coro "Wie der Hirsch schreit"" by Felix Mendelssohn, Collegium Vocale Gent, Orchestre de chambre de Paris, Philippe Herreweghe, La Chapelle Royale was released on 1998. Psaume 42, Op. 42: Coro "Wie der Hirsch schreit" is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. The track order of this song in Felix Mendelssohn, Philippe Herreweghe, Orchestre de chambre de Paris, La Chapelle Royale, Collegium Vocale Gent's "Mendelssohn: Psalms" album is number 1 out of 11. Psaume 42, Op. 42: Coro "Wie der Hirsch schreit" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Psaume 42, Op. 42: Coro "Wie der Hirsch schreit" by Felix Mendelssohn, Collegium Vocale Gent, Orchestre de chambre de Paris, Philippe Herreweghe, La Chapelle Royale to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in C Minor, "Resurrection": IV. Urlicht: Sehr feierlich, aber schlicht | Gustav Mahler, Charlotte Margiono, Jard van Nes, Dresden State Opera Chorus, Dresden Symphony Chorus, Staatskapelle Dresden, Bernard Haitink | D♭ Major | 0 | 3B | 80 BPM | ||
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | ||
Monteverdi: Sì dolce è'l tormento, SV 332 | Claudio Monteverdi, Christina Pluhar, Philippe Jaroussky | G Major | 0 | 9B | 134 BPM | ||
Giulio Cesare, HWV 17: Act III - "Piangerò" | Simone Kermes | E♭ Major | 0 | 5B | 97 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Mache dich, mein Geist, bereit in G Major, BWV 115: IV. Aria "Bete aber auch dabei" | Johann Sebastian Bach, Dorothee Mields, Collegium Vocale Gent, Philippe Herreweghe | F♯ Major | 2 | 2B | 144 BPM | ||
Herr, wenn ich nur dich hab, BuxWV 38 | Dietrich Buxtehude, Purcell Quartet, Suzie LeBlanc | G Major | 1 | 9B | 88 BPM | ||
Gloria: Domine Deus, Agnus Dei | Antonio Vivaldi, Elinor Carter, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 0 | 12A | 179 BPM | ||
Die Jahreszeiten, Hob. XXI:3, Der Sommer: III. Terzett und Chor, "Sie steigt herauf, die Sonne" | Joseph Haydn, Christina Landshamer, Maximilian Schmitt, Florian Boesch, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 2 | 10B | 139 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 75 BPM |