"Gloria: Domine Deus, Agnus Dei" by Antonio Vivaldi, Elinor Carter, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner had its release date on August 31, 2001. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vivaldi: Gloria / Handel: Dixit Dominus by The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. The song's track number on the album is #7 out of 27 tracks. The popularity of Gloria: Domine Deus, Agnus Dei is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Gloria: Domine Deus, Agnus Dei by Antonio Vivaldi, Elinor Carter, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner has a tempo of 179 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Gloria: Domine Deus, Agnus Dei being at 179 テンポ, the half-time would be 90 テンポ with a double-time of 358 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 5/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré: Requiem, Op. 48 : IV. Pie Jesu (Soprano) | Gabriel Fauré, Dietrich Fischer-Dieskau, Victoria de los Ángeles, Choeurs Elisabeth Brasseurs, Henriette Puig-Roget, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 0 | 12B | 87 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Requiem, Op. 48 (version pour grand orchestre): Agnus Dei | Gabriel Fauré, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale, Joseph Moor | D Minor | 0 | 7A | 143 BPM | ||
Gounod: Messe solennelle de Sainte-Cécile, CG 56: V. Benedictus (Soprano, Chorus) | Charles Gounod, Barbara Hendricks, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France | B♭ Major | 0 | 6B | 68 BPM | ||
Dixit and Magnificat, K. 193: I. Dixit | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | C Major | 1 | 8B | 113 BPM | ||
Vivaldi: Magnificat in G Minor, RV 610b: IV. Fecit potentiam | Antonio Vivaldi, Andrew Parrott, Taverner Players, Nancy Argenta, Taverner Choir | G Minor | 2 | 6A | 77 BPM | ||
Concerto for Oboe and Bassoon in G Major, RV 545: I. Andante molto | Antonio Vivaldi, Christopher Hooker, Joanna Graham, City of London Sinfonia, Nicholas Kraemer | G Major | 2 | 9B | 178 BPM | ||
Requiem, Op. 48: III. Offertoire | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | D Major | 0 | 10B | 77 BPM | ||
Amarilli mia bella | Giulio Caccini, Andreas Scholl, Edin Karamazov | E Major | 0 | 12B | 91 BPM | ||
Selve amiche | Antonio Caldara, Cecilia Bartoli, György Fischer | A Minor | 0 | 8A | 136 BPM |