"Herr, wenn ich nur dich hab, BuxWV 38" by Dietrich Buxtehude, Purcell Quartet, Suzie LeBlanc had its release date on February 1, 2003. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 42 out of 49 in Buxtehude: Sacred Cantatas by Dietrich Buxtehude, Purcell Quartet, Suzie LeBlanc, Emma Kirkby, Peter Harvey. Herr, wenn ich nur dich hab, BuxWV 38 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Herr, wenn ich nur dich hab, BuxWV 38 by Dietrich Buxtehude, Purcell Quartet, Suzie LeBlanc is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Peter de Groot, Ian Honeyman, Peter Kooij, Paul Dombrecht | B Minor | 2 | 10A | 81 BPM | ||
Magnificat, Wq. 215: Magnificat, Wq. 215: 6. Duett. Deposuit potentes de sede (A, T) | Carl Philipp Emanuel Bach, Wiebke Lehmkuhl, Lothar Odinius, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | B Major | 1 | 1B | 135 BPM | ||
Peasant Cantata, BWV 212: Aria: Ach Herr Schosser, geht night gar zu schlimm | Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon, Suzie LeBlanc, Nils Brown, Brett Polegato | D♭ Major | 1 | 3B | 85 BPM | ||
Magnificat, Wq. 215: Magnificat, Wq. 215: 8. Chor. Gloria Patri et Filio | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D♭ Major | 3 | 3B | 139 BPM | ||
Trio Sonata in D Major, BuxWV 267 | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin, Benoît Vanden Bemden, Mélissande Corriveau | D Major | 1 | 10B | 97 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Dulcis Jesu, pie Deus" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Dido and Aeneas / Act 1: "Ah! Belinda, I am prest with torment" | Henry Purcell, Jessye Norman, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Minor | 0 | 5A | 101 BPM | ||
Stabat Mater: VIII. Virgo virginum | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Dixit Dominus, HWV 232: Gloria Patri et Filio | George Frideric Handel, The Sixteen, Harry Christophers | F♯ Minor | 3 | 11A | 125 BPM | ||
Stabat Mater pour dix voix et basse continue: I. Stabat Mater dolorosa | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F Major | 1 | 7B | 138 BPM |