Peasant Cantata, BWV 212: Aria: Ach Herr Schosser, geht night gar zu schlimm

Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon, Suzie LeBlanc, Nils Brown, Brett Polegato
Bach: Coffee Cantata, Peasant Cantata
1:14 1997日
テンポ
85
キー
D♭ Major
キャメロットミュージックキー
3B

リンクを埋め込む

共有

Peasant Cantata, BWV 212: Aria: Ach Herr Schosser, geht night gar zu schlimm - Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon, Suzie LeBlanc, Nils Brown, Brett Polegato 情報

音響性
78%
ダンサビリティ
47%
エネルギー
14%
手段性
0%
活気
14%
ラウドネス
62%
話し言葉
3%
価数
69%
人気
ラウドネス
-22.752 dB

まとめ

Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon, Suzie LeBlanc, Nils Brown, Brett Polegato's ' "Peasant Cantata, BWV 212: Aria: Ach Herr Schosser, geht night gar zu schlimm" was released on its scheduled release date, 1997. With This song being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 34 in Bach: Coffee Cantata, Peasant Cantata by Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon. Peasant Cantata, BWV 212: Aria: Ach Herr Schosser, geht night gar zu schlimm is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Peasant Cantata, BWV 212: Aria: Ach Herr Schosser, geht night gar zu schlimm テンポ

The tempo marking of Peasant Cantata, BWV 212: Aria: Ach Herr Schosser, geht night gar zu schlimm by Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon, Suzie LeBlanc, Nils Brown, Brett Polegato is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Peasant Cantata, BWV 212: Aria: Ach Herr Schosser, geht night gar zu schlimm キー

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen by Clara Schumann, Anneleen Lenaerts, Dionysis GrammenosSchumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragenClara Schumann, Anneleen Lenaerts, Dionysis GrammenosA♭ Major04B71 BPM
Concerto for 2 Violins in D Minor, BWV 1043: III. Allegro by Johann Sebastian Bach, Christine Pichlmeier, Lisa Stewart, Cologne Chamber Orchestra, Helmut Muller-BruhlConcerto for 2 Violins in D Minor, BWV 1043: III. AllegroJohann Sebastian Bach, Christine Pichlmeier, Lisa Stewart, Cologne Chamber Orchestra, Helmut Muller-BruhlF♯ Major12B141 BPM
Piano Concerto No. 5 in E-Flat Major, Op. 73 Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mossoLudwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon RattleB Major01B85 BPM
La naissance de Vénus, LWV 27, Pt. 2: Grand dieu des enfers (Arr. G. Tailleferre for Piano) by Jean-Baptiste Lully, Nicolas HorvathLa naissance de Vénus, LWV 27, Pt. 2: Grand dieu des enfers (Arr. G. Tailleferre for Piano)Jean-Baptiste Lully, Nicolas HorvathB Major21B108 BPM
Ständchen in D Minor (After Schubert), S. 560 by Franz Liszt, Lise de la SalleStändchen in D Minor (After Schubert), S. 560Franz Liszt, Lise de la SalleD Major010B76 BPM
Sonata No. 5 in A Major, Op. 17, No. 5: I. Allegro by Johann Christian Bach, Daniil TrifonovSonata No. 5 in A Major, Op. 17, No. 5: I. AllegroJohann Christian Bach, Daniil TrifonovA Major111B135 BPM
Orfeo ed Euridice, Act II Scene 2: Ballet Music, Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff)Wilhelm Kempff, Christoph Willibald Gluck, Idil BiretF Major07B81 BPM
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre by François Couperin, Iddo Bar-ShaïLe Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livreFrançois Couperin, Iddo Bar-ShaïC Major38B145 BPM
Sarabande Variations (from Suite in D Minor, HWV 437): Variation VIII by George Frideric Handel, Martin StadtfeldSarabande Variations (from Suite in D Minor, HWV 437): Variation VIIIGeorge Frideric Handel, Martin StadtfeldD♭ Major03B74 BPM
Intermedes de Xerxes: Bourre pour les Basques by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonIntermedes de Xerxes: Bourre pour les BasquesJean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonF♯ Major12B140 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records