"Livre posthume (1740): II. Fugue" by Louis Marchand, Jean-Baptiste Robin was released on July 1, 2001. The duration of Livre posthume (1740): II. Fugue is about 3 minutes long, at 3:10. Based on our data, "Livre posthume (1740): II. Fugue" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Louis Marchand, Jean-Baptiste Robin's "Louis Marchand: L'œuvre pour orgue" album is number 2 out of 23. In terms of popularity, Livre posthume (1740): II. Fugue is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Livre posthume (1740): II. Fugue by Louis Marchand, Jean-Baptiste Robin to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ons is gheboren een kindekijn, SwWV 315: IV. Variation IV | Jan Pieterszoon Sweelinck, Gustav Auzinger | C Major | 0 | 8B | 92 BPM | ||
Sonate en Sol Mineur, Op. 1 No. 3: II. Allegro | Jean-François Dandrieu, Le Consort, Justin Taylor | A♭ Minor | 1 | 1A | 73 BPM | ||
Les Indes galantes, RCT 44: Gavotte vive pour les fleurs - Arr. for Organ and Soprano by Edward Higginbottom | Jean-Philippe Rameau, Edward Higginbottom | D Major | 1 | 10B | 68 BPM | ||
Sonata in F minor, Wq 63/6: I. Finale | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Te Deum: VIII. Aeterna fac cum sanctis tuis | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Esther Lay, Helen Charlston, Giles Underwood, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Concert Royal No. 1 in G (Version for 2 Harpsichords): II. Allemande. Légèrement | François Couperin, Pierre Gallon, Matthieu Boutineau | E♭ Major | 4 | 5B | 125 BPM | ||
6 Concerts transcrits en sextuor / 5e concert: 1. La Forqueray | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | F Minor | 3 | 4A | 100 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Ouvertures and Trio Sonatas, Op. 13, Sonata No. 2 in B Minor: III. Largo | Jean-Marie Leclair, Lucile Boulanger, Simon Pierre, Olivier Fortin | F♯ Major | 1 | 2B | 98 BPM |