Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset made "6 Concerts transcrits en sextuor / 5e concert: 1. La Forqueray" available on January 1, 2003. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Rameau: Six Concerts en sextuor". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, 6 Concerts transcrits en sextuor / 5e concert: 1. La Forqueray is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With 6 Concerts transcrits en sextuor / 5e concert: 1. La Forqueray by Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset having a テンポ of 100 with a half-time of 50 テンポ and a double-time of 200 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
Troisième livre: La Forqueray | Jacques Duphly, Christophe Rousset | E Minor | 5 | 9A | 105 BPM | ||
Concerto in C Minor, Op. 6 No. 3: III. Grave | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | B♭ Minor | 2 | 3A | 70 BPM | ||
Acis et Galatée, LWV 73, Acte premier. Scène 5: "Mais quels concerts se font entendre ?" (Scylla, Galatée, Acis) | Jean-Baptiste Lully, Les Talens Lyriques, Christophe Rousset, Bénédicte Tauran, Ambroisine Bré, Cyril Auvity | C Minor | 2 | 5A | 118 BPM | ||
Zoroastre - Contredanse | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | D♭ Major | 4 | 3B | 132 BPM | ||
Les Danaïdes, Acte I Scène 1: Air de danse | Antonio Salieri, Les Chantres du Centre de Musique Baroque de Versailles, Olivier Schneebeli, Les Talens Lyriques, Christophe Rousset | F Major | 4 | 7B | 72 BPM | ||
Psyché, LWV 56, Prologue: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Les Talens Lyriques | G Major | 4 | 9B | 97 BPM | ||
Concerto in A Minor for 3 Violins, Viola and Basso Continuo: IV. Allegro | Nicola Fiorenza, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | ||
Sonata No. 7 in E Minor "La magnifique": I. Prélude | Louis-Nicolas Clérambault, Barthold Kuijken, Immanuel Davis, Arnie Tanimoto, Donald Livingston | D Minor | 1 | 7A | 125 BPM | ||
Zoroastre - Passepieds I/II | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | B Minor | 3 | 10A | 66 BPM |