"Salve Regina, antienne à la Sainte Vierge, C. 114: I. Salve Regina" by Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Jean-François Novelli, Cyril Auvity, Alain Buet, Fabien Armengaud was released on October 21, 2016. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 30 in Clérambault : Motets à trois voix d’hommes et symphonies by Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Fabien Armengaud. In terms of popularity, Salve Regina, antienne à la Sainte Vierge, C. 114: I. Salve Regina is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Salve Regina, antienne à la Sainte Vierge, C. 114: I. Salve Regina by Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Jean-François Novelli, Cyril Auvity, Alain Buet, Fabien Armengaud is Moderato (at a moderate speed), since this song has a tempo of 119 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La félicité in G Major: IV. Gigue - Lent | Louis-Nicolas Clérambault, The Bach Players | F♯ Major | 2 | 2B | 85 BPM | ||
12 Concerti da Chiesa, Op. 2 No.4: I. Allegro moderato | Evaristo Felice Dall'Abaco, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 108 BPM | ||
Ballo del Granduca | Anonymous, Luigi Accardo | A Minor | 2 | 8A | 129 BPM | ||
Concerto in C Minor, Op. 6 No. 3: III. Grave | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | B♭ Minor | 2 | 3A | 70 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 139 BPM | ||
Sonata "La guerra" in A Major: 4. Adagio | Johann Paul Von Westhoff, Musica Antiqua Köln, Reinhard Goebel | C Minor | 1 | 5A | 34 BPM | ||
Suite du premier ton: V. Basse de trompette et dessus de cornet | Louis-Nicolas Clérambault, Michel Jordan | F Major | 2 | 7B | 70 BPM | ||
Missa Sancti Spiritus, ZWV 4: Sanctus | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | B Major | 3 | 1B | 98 BPM | ||
Les Eléments: X. Caprice | Jean-Féry Rebel, Akademie für Alte Musik Berlin, Georg Kallweit, Midori Seiler | D♭ Major | 3 | 3B | 76 BPM | ||
Harmonia a cinque con basso continuo in B-Flat Major | Johann Heinrich Schmelzer, Theatre of Early Music, Schola Cantorum, Daniel Taylor | A Major | 0 | 11B | 77 BPM |