"Sonata "La guerra" in A Major: 4. Adagio" by Johann Paul Von Westhoff, Musica Antiqua Köln, Reinhard Goebel was released on January 1, 1981. With Sonata "La guerra" in A Major: 4. Adagio being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Musica Antiqua Köln, Reinhard Goebel's "German Chamber Music Before Bach" album is number 15 out of 30. On top of that, Germany appears to be the country where this track was created. Sonata "La guerra" in A Major: 4. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata "La guerra" in A Major: 4. Adagio by Johann Paul Von Westhoff, Musica Antiqua Köln, Reinhard Goebel to be Grave (very slow) because the track has a tempo of 34 テンポ, a half-time of 17テンポ, and a double-time of 68 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto in G Major, TWV 51:G9: Viola Concerto in G Major, TWV 51:G9: III. Andante | Georg Philipp Telemann, Antoine Tamestit, Akademie für Alte Musik Berlin, Bernhard Forck | E♭ Minor | 1 | 2A | 86 BPM | ||
Ciaccona | Johann Pachelbel, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | A Minor | 1 | 8A | 80 BPM | ||
Hamabdil for Cello and Harp (Hebrew Melody) | Granville Bantock, Sandrine Chatron, Ophélie Gaillard | G Minor | 0 | 6A | 140 BPM | ||
A Ground in D Minor | Gottfried Finger, Maurice Steger, La Cetra | A♭ Minor | 2 | 1A | 108 BPM | ||
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits (Arr. for Cello and Piano) | Christoph Willibald Gluck, Edgar Moreau, Pierre-Yves Hodique | B Major | 0 | 1B | 64 BPM | ||
Air for Chalumeau "La Tortora" | Antonio Vivaldi, Martin Fröst, Concerto Köln | A Major | 0 | 11B | 123 BPM | ||
Ouverture "Wassermusik" in C Major, TWV 55:C3: I. Ouverture | Georg Philipp Telemann, Ensemble Zefiro, Alfredo Bernardini | B Major | 3 | 1B | 121 BPM | ||
Concerto Pastorale in G Major: Aria II: Lento e sempre piano | Johann Melchior Molter, Daniel Hope, Zürcher Kammerorchester | G Minor | 0 | 6A | 95 BPM | ||
Violin Sonata in C Major, Wq. 73, H. 504: II. Andante | Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim | A♭ Minor | 1 | 1A | 88 BPM |