"Gluck: Orfeo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits (Arr. for Cello and Piano)" by Christoph Willibald Gluck, Edgar Moreau, Pierre-Yves Hodique was released on March 3, 2014. The duration of Gluck: Orfeo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits (Arr. for Cello and Piano) is about 3 minutes long, at 3:15. Based on our data, "Gluck: Orfeo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits (Arr. for Cello and Piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Play - Works for Cello and Piano". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. Gluck: Orfeo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits (Arr. for Cello and Piano) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gluck: Orfeo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits (Arr. for Cello and Piano) by Christoph Willibald Gluck, Edgar Moreau, Pierre-Yves Hodique having a テンポ of 64 with a half-time of 32 テンポ and a double-time of 128 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Rêverie, L. 68 | Claude Debussy, Menahem Pressler | F♯ Minor | 0 | 11A | 160 BPM | ||
3 Romances, Op. 11: I. Andante | Clara Schumann, Yoshiko Iwai | E♭ Minor | 0 | 2A | 106 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
Nocturne in B-Flat Major | Maria Szymanowska, Anna Ciborowska | B♭ Major | 1 | 6B | 78 BPM | ||
Sonata for Cello and Piano in A Major, FWV 8: I. Allegretto ben moderato | César Franck, Camille Thomas, Julien Libeer | F♯ Minor | 1 | 11A | 76 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: III. Andante | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Sarabande Variations (from Suite in D Minor, HWV 437): Variation VIII | George Frideric Handel, Martin Stadtfeld | D♭ Major | 0 | 3B | 74 BPM | ||
Les chemins de l'amour, FP. 106 | Francis Poulenc, Mischa Maisky, Daria Hovora | E Major | 1 | 12B | 67 BPM | ||
Abodah (God's Worship) (Arr. for Cello) | Ernest Bloch, Sheku Kanneh-Mason | D Minor | 2 | 7A | 110 BPM |