"Suite du premier ton: V. Basse de trompette et dessus de cornet" by Louis-Nicolas Clérambault, Michel Jordan was released on June 29, 1978. With Suite du premier ton: V. Basse de trompette et dessus de cornet being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 16 in Clérambault: Suite du premier et deuxième ton by Louis-Nicolas Clérambault, Michel Jordan. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Suite du premier ton: V. Basse de trompette et dessus de cornet is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite du premier ton: V. Basse de trompette et dessus de cornet by Louis-Nicolas Clérambault, Michel Jordan is Adagio (slowly with great expression), since this song has a tempo of 70 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio in E-Flat Major for Viola d’amore, Bass Chalumeau & Continuo: I. Largo | Christoph Graupner, Hélène Plouffe, Mark Simons, David Jacques, Erin Helyard, Jacques-Olivier Chartier, Chloe Meyers, Amanda Keesmaat, Sophie Larivière, Olivier Laquerre | E Major | 0 | 12B | 116 BPM | ||
Ricercar 13 | Giulio Segni Da Modena, Gawain Glenton, Silas Wollston | A Major | 0 | 11B | 77 BPM | ||
Ihr lieben Christen, freut euch nun, BuxWV 66: II. Choral: "Ihr lieben Christen" | Dietrich Buxtehude, Antonia Bourvé, Les Favorites, Vocalensemble Rastatt, Holger Speck | G Major | 2 | 9B | 129 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 4, Le je-ne-scay-quoy | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Te Deum: X. Dignare Domine | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Helen Charlston, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
The Indian Queen: I attempt from love's sickness | Henry Purcell, Alfred Deller, William Christie, Wieland Kuijken | D Major | 1 | 10B | 72 BPM | ||
The Flat Consort for My Cousin Kemble, Suite No. 5 in A Minor and A Major: IV. Saraband | Matthew Locke, Phantasm, Elizabeth Kenny | A♭ Major | 1 | 4B | 180 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Pavane d'Angleterre – Galliarde - 6. Livre de Danceries - Branles de Pictou - 5. Livre de Danceries | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Violin Sonata No. 1 in D Minor: VI. Aria | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | G Major | 2 | 9B | 73 BPM |