"Sheppard: Beata nobis gaudia - 7. Sit laus Patri cum Filio" by John Sheppard, The Tallis Scholars, Peter Phillips was released on October 6, 2023. With Sheppard: Beata nobis gaudia - 7. Sit laus Patri cum Filio being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in John Sheppard, The Tallis Scholars, Peter Phillips's "John Sheppard: Missa Cantate" album is number 74 out of 80. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Sheppard: Beata nobis gaudia - 7. Sit laus Patri cum Filio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sheppard: Beata nobis gaudia - 7. Sit laus Patri cum Filio by John Sheppard, The Tallis Scholars, Peter Phillips to be Moderato (at a moderate speed) because the track has a tempo of 120 テンポ, a half-time of 60テンポ, and a double-time of 240 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa a quattro voci, SV 190: I. Kyrie | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | B Minor | 1 | 10A | 130 BPM | ||
Pater Noster | Sexteto Cantábile | A♭ Minor | 1 | 1A | 138 BPM | ||
Victoria: Requiem (Missa pro defunctis) - 01. Introitus - Requiem aeternam | Tomás Luis de Victoria, Peter Phillips, The Tallis Scholars | G Major | 1 | 9B | 169 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | ||
The Benediction | Laestadian Lutheran Church, Viena Kontkanen | E Major | 1 | 12B | 87 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, Peter Dijkstra, Bavarian Radio Chorus | C Major | 0 | 8B | 127 BPM | ||
Liturgy of St. John Chrysostom, Op. 41, TH 75: Amen, and With Thy Spirit | Pyotr Ilyich Tchaikovsky, USSR Ministry of Culture Chamber Choir, Valery Polyansky | C Major | 0 | 8B | 73 BPM | ||
Divini occhi sereni | Philippe Verdelot, Profeti Della Quinta | D♭ Minor | 1 | 12A | 83 BPM | ||
Miserere: VII. Redde mihi laetitiam ; Docebo iniquos vias tuas - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | B Minor | 0 | 10A | 86 BPM |