"Victoria: Requiem (Missa pro defunctis) - 01. Introitus - Requiem aeternam" by Tomás Luis de Victoria, Peter Phillips, The Tallis Scholars had its release date on 1987. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Victoria: Requiem (Missa pro defunctis) - 01. Introitus - Requiem aeternam's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Victoria: Requiem (Officium defunctorum). Lobo: Versa est in luctum. by Tomás Luis de Victoria, Peter Phillips, The Tallis Scholars. The song's track number on the album is #6 out of 32 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The popularity of Victoria: Requiem (Missa pro defunctis) - 01. Introitus - Requiem aeternam is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Victoria: Requiem (Missa pro defunctis) - 01. Introitus - Requiem aeternam by Tomás Luis de Victoria, Peter Phillips, The Tallis Scholars has a tempo of 169 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Victoria: Requiem (Missa pro defunctis) - 01. Introitus - Requiem aeternam being at 169 テンポ, the half-time would be 84 テンポ with a double-time of 338 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Armed Man (Ensemble Version): III. Kyrie | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
Se mai provasti donna | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 128 BPM | ||
Iustorum Animae | Matthew Martin, The Chapel Choir of Pembroke College, Cambridge, Anna Lapwood | D♭ Major | 0 | 3B | 145 BPM | ||
Tallis: Salvator Mundi, Salva Nos II | The Tallis Scholars, Peter Phillips | D Major | 1 | 10B | 81 BPM | ||
Josquin: Missa Hercules Dux Ferrarie - 1c. Kyrie 2 | Josquin des Prez, The Tallis Scholars, Peter Phillips | D Minor | 2 | 7A | 130 BPM | ||
Laetatus sum | Tomás Luis de Victoria, The Sixteen, Harry Christophers | G Major | 4 | 9B | 105 BPM | ||
Tallis: Remember not, O Lord God - 3. From age to age | Thomas Tallis, The Tallis Scholars, Peter Phillips | A♭ Major | 1 | 4B | 80 BPM | ||
Se la face ay pale | Guillaume Dufay, Cut Circle, Jesse Rodin | B♭ Major | 1 | 6B | 103 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: IV. Hallelujah | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Major | 1 | 8B | 107 BPM | ||
Missa Malheur me bat a 4: Kyrie | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F♯ Minor | 2 | 11A | 77 BPM |