"Locus iste, WAB 23" by Anton Bruckner, Peter Dijkstra, Bavarian Radio Chorus was released on May 3, 2024. The duration of Locus iste, WAB 23 is about 3 minutes long, at 3:21. Based on our data, "Locus iste, WAB 23" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 27 in Bruckner: Mass in E minor & Motets & "BRUCKNER'S WORLD" - An introduction to the works by Anton Bruckner, Bavarian Radio Chorus, Munich Radio Orchestra, Peter Dijkstra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Locus iste, WAB 23's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Locus iste, WAB 23 by Anton Bruckner, Peter Dijkstra, Bavarian Radio Chorus is Allegro (fast, quick, and bright), since this song has a tempo of 127 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 143 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo (Allegro) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | A Major | 1 | 11B | 138 BPM | ||
Symphony No. 5 "Reformation", Op. 107: II. Allegro vivace | Felix Mendelssohn, Maxim Emelyanychev, Scottish Chamber Orchestra | B♭ Major | 0 | 6B | 181 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: I. Preludium. Allegro moderato | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | D Major | 1 | 10B | 81 BPM | ||
Concerto pour piano | Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement | D Major | 2 | 10B | 105 BPM | ||
Pantomime: Vivace | Philip Lane, Royal Ballet Sinfonia, David Lloyd-Jones | G Minor | 2 | 6A | 113 BPM | ||
3 Corali, P. 167: No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648) | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | G Major | 0 | 9B | 74 BPM | ||
Concerto for Viola and Orchestra: III. Allegro moderato | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | D Minor | 1 | 7A | 92 BPM | ||
Mass No. 2 in E Minor, WAB 27 (1882 Version): VI. Agnus Dei | Anton Bruckner, Bavarian Radio Chorus, Peter Dijkstra, Munich Radio Orchestra | E Major | 0 | 12B | 81 BPM | ||
2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 2 | 8A | 136 BPM |