Philip Lane, Royal Ballet Sinfonia, David Lloyd-Jones's 'Pantomime: Vivace' came out on March 17, 2001. The duration of Pantomime: Vivace is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Pantomime: Vivace's duration is considered a little bit shorter than the average duration of a typical track. The song is number 21 out of 21 in English String Miniatures, Vol. 1 by Royal Ballet Sinfonia. In terms of popularity, Pantomime: Vivace is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Pantomime: Vivace by Philip Lane, Royal Ballet Sinfonia, David Lloyd-Jones is Moderato (at a moderate speed), since this song has a tempo of 113 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite: O, Waly Waly | John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 0 | 9B | 95 BPM | ||
Symphony No. 1, "Afro-American": IV. Aspiration (Lento, con risoluzione) | William Grant Still, Fort Smith Symphony, John Jeter | F♯ Major | 0 | 2B | 141 BPM | ||
Gli uccelli (The Birds), P. 154: II. La colomba: Andante expressivo | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | F♯ Minor | 1 | 11A | 123 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
The Gondoliers | Arthur Sullivan, Royal Ballet Sinfonia, Andrew Penny | G Major | 1 | 9B | 66 BPM | ||
La mer, L. 109: III. Dialogue of the Wind and the Sea | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 78 BPM | ||
Masques et Bergamasques, suite, Op.112: 1. Ouverture | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 2 | 7B | 69 BPM | ||
Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Jascha Heifetz, Alfred Wallenstein | G Major | 3 | 9B | 111 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Wexford Bells - Suite on old Irish tunes (1970): Lute Book Lullaby | Raymond H.C. Warren, Royal Ballet Sinfonia, Gavin Sutherland | A Minor | 0 | 8A | 142 BPM |