"La mer, L. 109: III. Dialogue of the Wind and the Sea" by Claude Debussy, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1986. Since La mer, L. 109: III. Dialogue of the Wind and the Sea is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 6 in Debussy: La Mer; Prélude à l'après-midi / Ravel: Pavane; Daphnis et Chloé No. 2 by Aaron Copland, Los Angeles Philharmonic, Zubin Mehta, Baltimore Symphony Orchestra, David Zinman, Erik Satie, Reinbert de Leeuw, Berliner Philharmoniker, Herbert von Karajan. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. La mer, L. 109: III. Dialogue of the Wind and the Sea is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La mer, L. 109: III. Dialogue of the Wind and the Sea by Claude Debussy, Berliner Philharmoniker, Herbert von Karajan is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Preludes, Book 1: No. 12: Minstrels | Claude Debussy, François-Joël Thiollier | G Major | 1 | 9B | 104 BPM | ||
Symphony No. 3 in C Minor: II. Andante ma non troppo | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | A♭ Major | 0 | 4B | 88 BPM | ||
Symphony No. 9 in C, D.944 - "The Great": 2. Andante con moto | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 125 BPM | ||
Francesca da Rimini, Op. 25: Scene II: Moderato | Sergei Rachmaninoff, Mariana Zvetkova, Boiko Zvetanov, Peter Naydenov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Nayden Todorov | E♭ Major | 1 | 5B | 91 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O 14: II. Andante | Felix Mendelssohn, Ray Chen, Daniel Harding, Swedish Radio Symphony Orchestra | C Major | 1 | 8B | 85 BPM | ||
The Planets, Op. 32: 3. Mercury, the Winged Messenger | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 108 BPM | ||
Violin Concerto No. 3 in G Major, K. 216: III. Rondo (Allegro) | Wolfgang Amadeus Mozart, Sam Franko, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 116 BPM | ||
Symphony No.9 In E Minor, Op.95, B. 178 "From The New World": 2. Largo | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 86 BPM |