"Piano Sonata, Op. 1" by Alban Berg, Glenn Gould was released on 1959. Piano Sonata, Op. 1 appears to be safe for all ages as it is not explicit. The track order of this song in Glenn Gould's "Glenn Gould Plays Sonatas, Fantasies & Variations" album is number 1 out of 55. Based on our statistics, Piano Sonata, Op. 1's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Sonata, Op. 1 by Alban Berg, Glenn Gould to be Allegro (fast, quick, and bright) because the track has a tempo of 135 テンポ, a half-time of 68テンポ, and a double-time of 270 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes, Op. 11: Prelude in B Minor, Op. 11, No. 6 (Arr. V. Rogal-Levitsky) | Alexander Scriabin, Konstantin Scherbakov, Moscow Philharmonic Orchestra, Igor Golovschin | G Major | 2 | 9B | 66 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
Clairieres dans le ciel: Elle etait descendue | Lili Boulanger, Emile Naoumoff, Isabelle Sabrie | A Major | 0 | 11B | 66 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 16: II. Scherzo. Vivace | Sergei Prokofiev, Andrei Korobeinikov, Ural Philharmonic Orchestra, Dmitry Liss | B Minor | 2 | 10A | 124 BPM | ||
D'un vieux jardin | Lili Boulanger, Antonii Baryshevskyi | A♭ Major | 0 | 4B | 74 BPM | ||
Die Walküre, WWV 86B, Act I: In the Sound Code, We "See" His Loving Gaze | Richard Wagner, Berliner Philharmoniker, Lorin Maazel | G Minor | 0 | 6A | 91 BPM | ||
Oedipus Rex: Epilogue | Igor Stravinsky, Joseph Cornwell, Edward Fox, Andrew Greenan, Martyn Hill, Jennifer Lane, David Wilson-Johnson, Simon Joly Male Chorus, Philharmonia Orchestra, Robert Craft | D♭ Major | 6 | 3B | 90 BPM | ||
Reminiscentia / Autumn Landscapes: V. Wind Along the Heath | Veljo Tormis, Tallinn Chamber Orchestra, Tõnu Kaljuste | D Minor | 1 | 7A | 97 BPM | ||
Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM | ||
Peter Grimes: 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 84 BPM |