"Die Walküre, WWV 86B, Act I: In the Sound Code, We "See" His Loving Gaze" by Richard Wagner, Berliner Philharmoniker, Lorin Maazel had its release date on May 1, 1988. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wagner: The "Ring" Without Words (Orchestral Highlights from the Ring Cycle) by Richard Wagner, Lorin Maazel, Berliner Philharmoniker. The song's track number on the album is #5 out of 20 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Die Walküre, WWV 86B, Act I: In the Sound Code, We "See" His Loving Gaze is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Walküre, WWV 86B, Act I: In the Sound Code, We "See" His Loving Gaze by Richard Wagner, Berliner Philharmoniker, Lorin Maazel has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Walküre, WWV 86B, Act I: In the Sound Code, We "See" His Loving Gaze being at 91 テンポ, the half-time would be 46 テンポ with a double-time of 182 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 1/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Planets, Op. 32: 3. Mercury, the Winged Messenger | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 108 BPM | ||
Symphony No. 2 in E Minor, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Berliner Philharmoniker, Kirill Petrenko | C Major | 2 | 8B | 80 BPM | ||
The Seven Last Words of our Saviour on the Cross, Op. 51 (Hob.III. 50-56): 9. Il Terremoto (Presto e con tutta la forza) | Joseph Haydn, Berliner Philharmoniker, Riccardo Muti | F Minor | 1 | 4A | 62 BPM | ||
Symphony In 3 Movements: 1. Allegro | Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez | G Major | 1 | 9B | 84 BPM | ||
Peer Gynt Suite No.2, Op.55: 2. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM | ||
Symphony In D Minor: 2. Allegretto | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
Petite Suite, L. 65: II. Cortège | Claude Debussy, Orchestre de la Suisse Romande, Ernest Ansermet | C Major | 2 | 8B | 95 BPM | ||
Zerline, S. 42, Airs de ballet (Excerpts): Le carnaval de Palerme | Daniel Auber, Janacek Philharmonic Orchestra, Dario Salvi | F Major | 3 | 7B | 112 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Das Grablied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 1 | 11A | 93 BPM | ||
Die Meistersinger von Nürnberg, Act 3, Scene 2: "Abendlich glühend in himmlischer Pracht" | Richard Wagner, Bernd Weikl, Cheryl Studer, Wolfgang Sawallisch, Bavarian State Orchestra | F Major | 1 | 7B | 77 BPM |