"Petite Suite, L. 65: II. Cortège" by Claude Debussy, Orchestre de la Suisse Romande, Ernest Ansermet had its release date on January 1, 2006. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Petite Suite, L. 65: II. Cortège's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 113 in Ernest Ansermet: Decca Recordings 1953/1967 by Ernest Ansermet. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Petite Suite, L. 65: II. Cortège is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Petite Suite, L. 65: II. Cortège by Claude Debussy, Orchestre de la Suisse Romande, Ernest Ansermet is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Estampes, L. 100: 3. Jardins sous la pluie | Claude Debussy, Hans Henkemans | D♭ Minor | 1 | 12A | 98 BPM | ||
ドヴォルザーク:交響曲第8番 ト長調 作品88;第1楽章 アレグロ・コン・ブリオ | ヴァーツラフ・ノイマン, Czech Philharmonic | G Major | 1 | 9B | 135 BPM | ||
Violin Sonata in A Major, FWV 8: IV. Allegretto poco mosso | César Franck, Augustin Hadelich, Joyce Yang | E Major | 2 | 12B | 90 BPM | ||
Piano Concerto No. 7 for 3 Pianos in F Major, K. 242 "Lodron": III. Rondo. Tempo di minuetto | Wolfgang Amadeus Mozart, Karin Kei Nagano, Mari Kodama, Momo Kodama, Orchestre de la Suisse Romande, Kent Nagano | A♭ Major | 3 | 4B | 83 BPM | ||
Symphony No. 4 in E-Flat Major, "Sinfonie naive": II. Adagio — | Franz Berwald, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D Major | 0 | 10B | 80 BPM | ||
Raymonda, Act I: Introduction (Moderato poco piu mosso) | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | C Minor | 1 | 5A | 169 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | C Major | 1 | 8B | 78 BPM | ||
Grieg: Old Norwegian Romance with Variations, Op. 51: IX. Andante (Orchestral Version) | Edvard Grieg, Paavo Berglund, Bournemouth Symphony Orchestra | E♭ Minor | 1 | 2A | 110 BPM | ||
Symphony in D Minor, FWV 48 (Remastered): II. Allegretto | César Franck, Pierre Monteux, Chicago Symphony Orchestra | E♭ Minor | 0 | 2A | 72 BPM | ||
Piano Concerto No. 3 in E Flat Major, Op. 75, TH.65: 3. Finale: Allegro maestoso | Pyotr Ilyich Tchaikovsky, Peter Jablonski, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 2 | 5B | 78 BPM |