Alexander Scriabin, Konstantin Scherbakov, Moscow Philharmonic Orchestra, Igor Golovschin made "24 Preludes, Op. 11: Prelude in B Minor, Op. 11, No. 6 (Arr. V. Rogal-Levitsky)" available on August 17, 1999. With 24 Preludes, Op. 11: Prelude in B Minor, Op. 11, No. 6 (Arr. V. Rogal-Levitsky) being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 10 in the song's album "Scriabin: Piano Concerto / Prometheus". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. 24 Preludes, Op. 11: Prelude in B Minor, Op. 11, No. 6 (Arr. V. Rogal-Levitsky) is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With 24 Preludes, Op. 11: Prelude in B Minor, Op. 11, No. 6 (Arr. V. Rogal-Levitsky) by Alexander Scriabin, Konstantin Scherbakov, Moscow Philharmonic Orchestra, Igor Golovschin having a テンポ of 66 with a half-time of 33 テンポ and a double-time of 132 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie "Mathis der Maler": I. Engelkonzert | Paul Hindemith, Berliner Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 106 BPM | ||
Debussy: Le Roi Lear, CD 116, L. 107: II. Le sommeil de Lear | Claude Debussy, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | D Minor | 0 | 7A | 86 BPM | ||
String Quartet No. 1 in E Minor, "From my life": II. Allegro moderato - A la polka | Bedřich Smetana, Moyzes Quartet | F Minor | 1 | 4A | 91 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso (quasi andantino) - Presto, ma non assai - Tempo I - Presto, ma non assai - Tempo I | Johannes Brahms, Philadelphia Orchestra, Wolfgang Sawallisch | G Major | 1 | 9B | 86 BPM | ||
Gaspard de la nuit: I. Ondine (arr. M. Constant for orchestra) | Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン | D♭ Major | 0 | 3B | 115 BPM | ||
Symphony No. 2 in C Minor, Op. 29: III. Andante | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | F Major | 0 | 7B | 76 BPM | ||
Ma mère l'oye, ballet, M. 62: 4. Petit Poucet.Très modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Minor | 0 | 5A | 124 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, London Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 0 BPM | ||
Preparation for the Final Mystery - Realised by Alexander Nemtin - Part 3 - Transfiguration: Contemplatif-supplicare-con lagrime-devoto | Alexander Scriabin, Alexander Lubimov, Thomas Trotter, St.Petersburg Chamber Choir, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy, Anna-Kristiina Kaappola | B♭ Minor | 3 | 3A | 48 BPM |