"Debussy: Le Roi Lear, CD 116, L. 107: II. Le sommeil de Lear" by Claude Debussy, City Of Birmingham Symphony Orchestra, Sir Simon Rattle was released on 1990. The duration of Debussy: Le Roi Lear, CD 116, L. 107: II. Le sommeil de Lear is about 3 minutes long, at 3:23. Based on our data, "Debussy: Le Roi Lear, CD 116, L. 107: II. Le sommeil de Lear" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 8 in Debussy: Orchestral Works by Claude Debussy, City Of Birmingham Symphony Orchestra, Sir Simon Rattle. Debussy: Le Roi Lear, CD 116, L. 107: II. Le sommeil de Lear is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Debussy: Le Roi Lear, CD 116, L. 107: II. Le sommeil de Lear by Claude Debussy, City Of Birmingham Symphony Orchestra, Sir Simon Rattle is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes, Op. 11: No. 14 in E-Flat Minor | Alexander Scriabin, Evgeny Zarafiants | E♭ Major | 0 | 5B | 62 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 1. Allegro ma non troppo | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 99 BPM | ||
Cello Concerto No.1, Op.107: 1. Allegretto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | G Minor | 2 | 6A | 126 BPM | ||
Piano Concerto No. 1 in D Minor, Op. 15: III. Rondo (Allegro non troppo) | Johannes Brahms, Krystian Zimerman, Berliner Philharmoniker, Sir Simon Rattle | D Major | 2 | 10B | 96 BPM | ||
Grieg : Symphonic Dances Op.64 : No.4 in A minor | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra, Tim Oldham | A Minor | 1 | 8A | 79 BPM | ||
Images: No. 3. Rondes de printemps | Claude Debussy, Orchestre National De Lyon, Jun Markl | A♭ Major | 1 | 4B | 134 BPM | ||
Symphony No. 3 in G Minor, Op. 36: I. Adagio - Allegro | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | G Minor | 1 | 6A | 97 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Turangalîla Symphonie: 2. Chant d'amour 1 | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | D♭ Major | 2 | 3B | 153 BPM |