Luigi Denza, Douglas A. Pope, Band Of The Coldstream Guards's 'Funiculi Funicula (Arr. for Military Band by E. Tomlinson) (2023 Remastered Edition)' came out on January 1, 1960. The duration of Funiculi Funicula (Arr. for Military Band by E. Tomlinson) (2023 Remastered Edition) is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Funiculi Funicula (Arr. for Military Band by E. Tomlinson) (2023 Remastered Edition)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 31 in Favourite Military Bands (2023 Remastered Edition) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Funiculi Funicula (Arr. for Military Band by E. Tomlinson) (2023 Remastered Edition) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Funiculi Funicula (Arr. for Military Band by E. Tomlinson) (2023 Remastered Edition) by Luigi Denza, Douglas A. Pope, Band Of The Coldstream Guards is Moderato (at a moderate speed), since this song has a tempo of 116 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
Te Deum, H. 146: I. Prélude | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | D♭ Major | 3 | 3B | 141 BPM | ||
Scotto / Arr Schifrin: Around the World Part 4: Sous les ponts de Paris | Vincent Scotto, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | C Minor | 2 | 5A | 85 BPM | ||
Cleofide: Generoso risuegliati o core (Air de Poro) | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | A♭ Major | 3 | 4B | 152 BPM | ||
Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) | Renato Cellini, Robert Shaw | A♭ Major | 1 | 4B | 168 BPM | ||
Waltz No 2 Shostakovich | Zantalino and his Orchestra | D♭ Minor | 5 | 12A | 189 BPM | ||
The Magic Flute, K. 620: Act II, No.14. Aria: "Der Hölle Rache kocht in meinem Herzen" | Rundfunkorchester des Südwestfunks Baden-Baden | F Major | 1 | 7B | 144 BPM | ||
Hungarian Dance No. 5 in G Minor | London Philharmonic Orchestra | G Minor | 2 | 6A | 139 BPM | ||
Il pianinno delle meraviglie | Nicola Piovani | F Major | 3 | 7B | 100 BPM | ||
Don Gil de Alcalá: "Acto II": Todas las Mañanitas: "Habanera" | Manuel Penella, Ataúlfo Argenta | B♭ Major | 2 | 6B | 89 BPM |