Marc-Antoine Charpentier, Les Arts Florissants, William Christie's 'Te Deum, H. 146: I. Prélude' came out on April 27, 1989. With Te Deum, H. 146: I. Prélude being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 30 in Charpentier: Te Deum; Litanies de la Vierge & Missa "Assumpta est Maria" by Marc-Antoine Charpentier, Les Arts Florissants, William Christie. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Te Deum, H. 146: I. Prélude's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Te Deum, H. 146: I. Prélude by Marc-Antoine Charpentier, Les Arts Florissants, William Christie is Allegro (fast, quick, and bright), since this song has a tempo of 141 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messiah, HWV 56 (1989 - Remaster), Part 2: Hallelujah (chorus: Allegro) | George Frideric Handel, Elizabeth Harwood, Dame Janet Baker, Paul Esswood, Robert Tear, Raimund Herincx, Ambrosian Singers, Sir Charles Mackerras, English Chamber Orchestra | A Minor | 4 | 8A | 0 BPM | ||
Cinquième Symphonie. Toccata | Olivier Latry | F Major | 4 | 7B | 58 BPM | ||
Handel: Music for the Royal Fireworks, HWV 351: V. La Réjouissance | George Frideric Handel, Alison Balsom, Balsom Ensemble, Simon Wright | D♭ Major | 7 | 3B | 113 BPM | ||
Litanies de la Vierge, H. 83: Litanies de la Vierge, H. 83: IX. Regina angelorum | Marc-Antoine Charpentier, Les Arts Florissants, Anne Marie Lasla, William Christie, Kaori Uemura | A♭ Minor | 1 | 1A | 169 BPM | ||
Canon and Gigue in D Major: I. Canon | Johann Pachelbel, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 3 | 3B | 77 BPM | ||
Missa "Assumpta Est Maria", H. 11: Missa "Assumpta Est Maria", H. 11: IX. Domine salvum | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | D♭ Minor | 3 | 12A | 93 BPM | ||
L'incoronazione di Poppea, SV 308, Atto III, Scena 8: Pur ti miro - pur ti godo (Poppea, Nerone) - Live | Claudio Monteverdi, Sonya Yoncheva, Les Arts Florissants, Kate Lindsey, William Christie | G Major | 1 | 9B | 86 BPM | ||
La descente d'Orphee aux enfers, H. 488: Act I Scene 3: Recitative:Ne tourne point, mon fils (Apollon, Orphee) | Marc-Antoine Charpentier, Jesse Blumberg, Aaron Sheehan, Boston Early Music Festival Orchesra, Paul O'Dette | F Major | 1 | 7B | 124 BPM | ||
Canon | Johann Pachelbel, David Parry, London Philharmonic Orchestra | D Major | 3 | 10B | 137 BPM | ||
Rameau : Hippolyte et Aricie : Overture | Jean-Philippe Rameau, William Christie, Les Arts Florissants | C Major | 2 | 8B | 161 BPM |