"Messiah, HWV 56 (1989 - Remaster), Part 2: Hallelujah (chorus: Allegro)" by George Frideric Handel, Elizabeth Harwood, Dame Janet Baker, Paul Esswood, Robert Tear, Raimund Herincx, Ambrosian Singers, Sir Charles Mackerras, English Chamber Orchestra was released on 1967. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Sir Charles Mackerras, English Chamber Orchestra's "Handel: Messiah, HWV56" album is number 20 out of 58. On top of that, United Kingdom appears to be the country where this track was created. Messiah, HWV 56 (1989 - Remaster), Part 2: Hallelujah (chorus: Allegro) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messiah, HWV 56 (1989 - Remaster), Part 2: Hallelujah (chorus: Allegro) by George Frideric Handel, Elizabeth Harwood, Dame Janet Baker, Paul Esswood, Robert Tear, Raimund Herincx, Ambrosian Singers, Sir Charles Mackerras, English Chamber Orchestra to be Larghissimo because the track has a tempo of 0 テンポ, a half-time of 0テンポ, and a double-time of 0 テンポ. Based on that, the speed of the song's tempo is slow.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Aida / Act 2: "Gloria all'Egitto" | Giuseppe Verdi, Dresden State Opera Chorus, Chor der Staatsoper Dresden, Staatskapelle Dresden, Silvio Varviso | E♭ Major | 2 | 5B | 115 BPM | ||
Brahms / Orch Gamley: 5 Lieder, Op. 49: IV. Wiegenlied | Johannes Brahms, Victoria de los Ángeles, Sinfonia Of London, Rafael Frühbeck de Burgos | A Major | 1 | 11B | 121 BPM | ||
Monti, Vittorio: Csárdás for Violin and Orchestra (Largo maestoso - Allegro vivace - Meno quasi lento - Allegretto) | Vittorio Monti, Nigel Kennedy, English Chamber Orchestra, Paul Barritt | D Major | 1 | 10B | 91 BPM | ||
Io sono docile | Gioachino Rossini, Roberta Peters, Erich Leinsdorf, Metropolitan Opera Orchestra | F Major | 3 | 7B | 83 BPM | ||
Te Deum, H. 146: Prelude | Marc-Antoine Charpentier, Raymond Leppard, English Chamber Orchestra | D Major | 5 | 10B | 75 BPM | ||
Hungarian Dance No. 5 in F Minor: Allegro | Johannes Brahms, London Festival Orchestra, Alfred Scholz | A Minor | 1 | 8A | 126 BPM | ||
Les Illuminations, Op. 18: VII. Being beauteous | Benjamin Britten, Sir Peter Pears, English Chamber Orchestra | G Major | 1 | 9B | 65 BPM | ||
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (b) Presto - Recitativo - Allegro assai | Ludwig van Beethoven, Sir Charles Mackerras, Bryn Terfel, Della Jones, Joan Rodgers, Peter Bronder, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra | D Major | 2 | 10B | 79 BPM | ||
Die Walküre, WWV 86B - Concert version / Act 3: The Ride Of The Walkyres | Richard Wagner, Orchestre de Paris, Daniel Barenboim | G Major | 3 | 9B | 100 BPM | ||
Parry: I Was Glad | Hubert Parry, Choir of King's College, Cambridge, Cambridge University Musical Society Chorus, Royal Military School Of Music Band, New Philharmonia Orchestra, Philip Ledger | B♭ Major | 3 | 6B | 68 BPM |