"Die Walküre, WWV 86B - Concert version / Act 3: The Ride Of The Walkyres" by Richard Wagner, Orchestre de Paris, Daniel Barenboim was released on January 1, 1995. With this song being about 5 minutes long, at 4:53, "Die Walküre, WWV 86B - Concert version / Act 3: The Ride Of The Walkyres" by Richard Wagner, Orchestre de Paris, Daniel Barenboim is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Orchestral Music by Richard Wagner, Orchestre de Paris, Daniel Barenboim. The song's track number on the album is #8 out of 8 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Die Walküre, WWV 86B - Concert version / Act 3: The Ride Of The Walkyres is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Walküre, WWV 86B - Concert version / Act 3: The Ride Of The Walkyres by Richard Wagner, Orchestre de Paris, Daniel Barenboim has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Walküre, WWV 86B - Concert version / Act 3: The Ride Of The Walkyres being at 100 テンポ, the half-time would be 50 テンポ with a double-time of 200 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Estampes, L. 100: 1. Pagodes | Claude Debussy, Daniel Barenboim | B Major | 0 | 1B | 68 BPM | ||
Abdelazer, Z.570: 2. Rondeau | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 1 | 12A | 97 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Münchener Bach-Orchester, Karl Richter | D Major | 2 | 10B | 66 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: I. Allegro assai: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 114 BPM | ||
Il Trovatore / Act 2: "Vedi! le fosche notturne spoglie" (Anvil Chorus) | Giuseppe Verdi, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 130 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM |