"Orchestral Suite No. 3 in D Major, BWV 1068: II. Air" by Johann Sebastian Bach, Münchener Bach-Orchester, Karl Richter was released on January 1, 1989. Orchestral Suite No. 3 in D Major, BWV 1068: II. Air is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. The song is number 10 out of 13 in Bach, J.S.: Brandenburg Concertos Nos.2, 3 & 4; Orchestral Suite No.3, BWV 1068 by Johann Sebastian Bach, Lucerne Festival Strings, Rudolf Baumgartner, Münchener Bach-Orchester, Karl Richter. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Orchestral Suite No. 3 in D Major, BWV 1068: II. Air is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Orchestral Suite No. 3 in D Major, BWV 1068: II. Air by Johann Sebastian Bach, Münchener Bach-Orchester, Karl Richter is Larghetto (rather broadly), since this song has a tempo of 66 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Verdi: Aïda, Act 2: Triumphal march | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Major | 0 | 5B | 93 BPM | ||
Concerto in C Major, BWV 1064 (arr. for 3 violins and orchestra): II. Adagio | Johann Sebastian Bach, Elisabeth Kufferath, Christine Pichlmeier, Winfried Rademacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 1 | 10A | 67 BPM | ||
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
The 4 Seasons: Violin Concerto in F minor, Op. 8, No. 4, RV 297, "L'inverno" (Winter): II. Largo | Karoly Botvay | B♭ Major | 0 | 6B | 68 BPM | ||
Overture (Suite) No. 3 in D Major, BWV 1068: II. Air, "Air on a G String" | Johann Sebastian Bach, Capella Istropolitana, Jaroslav Dvořák | D Major | 1 | 10B | 86 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
Concerto in D minor, S. Z799: 1. Andante e spiccato | Alessandro Marcello, Håkan Hardenberger, I Musici | D Minor | 2 | 7A | 78 BPM | ||
Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928 | Janos Sebestyen, Johann Sebastian Bach | F Major | 2 | 7B | 140 BPM |