"Overture (Suite) No. 3 in D Major, BWV 1068: II. Air, "Air on a G String"" by Johann Sebastian Bach, Capella Istropolitana, Jaroslav Dvořák was released on October 24, 1990. With this song being about 5 minutes long, at 5:17, "Overture (Suite) No. 3 in D Major, BWV 1068: II. Air, "Air on a G String"" by Johann Sebastian Bach, Capella Istropolitana, Jaroslav Dvořák is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 15 in Bach, J.S.: Orchestral Suites Nos. 3-5, Bwv 1068-1070 by Johann Sebastian Bach, Jaroslav Dvořák. Overture (Suite) No. 3 in D Major, BWV 1068: II. Air, "Air on a G String" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Overture (Suite) No. 3 in D Major, BWV 1068: II. Air, "Air on a G String" by Johann Sebastian Bach, Capella Istropolitana, Jaroslav Dvořák is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Carmen Suite No. 2: III. Nocturne | Georges Bizet, Slovak Philharmonic, Anthony Bramall | E♭ Major | 1 | 5B | 72 BPM | ||
Violin Concerto in A Minor, BWV 1041: II. Andante | Johann Sebastian Bach, Kolja Blacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | C Major | 1 | 8B | 74 BPM | ||
Brandenburg Concerto No. 3 in G Major, BWV. 1048: I. Allegro | Johann Sebastian Bach, The English Concert, Trevor Pinnock | F♯ Major | 4 | 2B | 96 BPM | ||
6 Moments musicaux, Op. 94, D. 780: II. Andantino, A-Flat Major | Franz Schubert, Jenő Jandó | C Major | 2 | 8B | 79 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Allegro molto | Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth | G Minor | 2 | 6A | 109 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM |