Franz Schubert, Jenő Jandó made "6 Moments musicaux, Op. 94, D. 780: II. Andantino, A-Flat Major" available on March 15, 1990. 6 Moments musicaux, Op. 94, D. 780: II. Andantino, A-Flat Major is about six minutes long, preciously at 5:57, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Schubert: 6 Moments Musicaux, D. 780 / 3 Piano Pieces, D. 946". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. 6 Moments musicaux, Op. 94, D. 780: II. Andantino, A-Flat Major is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 6 Moments musicaux, Op. 94, D. 780: II. Andantino, A-Flat Major by Franz Schubert, Jenő Jandó having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in B flat, G.482: 2. Adagio non Troppo | Luigi Boccherini, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Minor | 1 | 6A | 90 BPM | ||
Gnossiennes: No. 6 | Erik Satie, Jean-Yves Thibaudet | A Minor | 0 | 8A | 70 BPM | ||
Idyl for Strings - Adagio | Leoš Janáček, Hanspeter Gmür, Camerata Romana | G Major | 1 | 9B | 105 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
Handel: Concerto Grosso in B Minor, HWV 330: III. Larghetto e piano | George Frideric Handel, Yehudi Menuhin, Bath Festival Orchestra | E Major | 1 | 12B | 83 BPM | ||
3 Old Viennese Dances: II. Liebesleid | Fritz Kreisler, Yo-Yo Ma | A Major | 0 | 11B | 85 BPM | ||
Piano Quartet No. 1 in G Minor, K. 478: II. Andante | Wolfgang Amadeus Mozart, Emanuel Ax, Isaac Stern, Jaime Laredo, Yo-Yo Ma | B♭ Major | 0 | 6B | 67 BPM | ||
Chanson triste, Op. 40: No. 2 | Pyotr Ilyich Tchaikovsky, Sviatoslav Richter | G Minor | 0 | 6A | 101 BPM | ||
Introduction et variations sur La belle meunière in E Minor, Op. 160, D. 802: III. Var. I | Franz Schubert, Emmanuel Pahud, Eric Le Sage | D Major | 2 | 10B | 101 BPM | ||
Piano Trio No. 1 in D Minor, Op. 49, MWV 29: I. Molto Allegro agitato | Felix Mendelssohn, Van Baerle Trio | B♭ Major | 1 | 6B | 66 BPM |