"3 Old Viennese Dances: II. Liebesleid" by Fritz Kreisler, Yo-Yo Ma was released on 1978. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Portrait of Yo-Yo Ma". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. 3 Old Viennese Dances: II. Liebesleid is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Old Viennese Dances: II. Liebesleid by Fritz Kreisler, Yo-Yo Ma having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007: II. Allemande | Johann Sebastian Bach, Yo-Yo Ma | E Minor | 8 | 9A | 70 BPM | ||
Carnival of the Animals, R. 125: Aquarium | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | A Minor | 0 | 8A | 81 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Sergio Leone Suite: Main Theme from "Once Upon a Time in America" | Ennio Morricone, Yo-Yo Ma, Roma Sinfonietta | E Major | 3 | 12B | 78 BPM | ||
Requiem (arr. for 3 cellos and piano) | Anonymous , David Popper, Coenraad Bloemendal, Andrés Díaz, Andrew Mark, Valerie Tryon | D Major | 0 | 10B | 94 BPM | ||
Romance "O pourquoi donc" in E Minor, S. 169 | Franz Liszt, Lang Lang | E Minor | 0 | 9A | 67 BPM | ||
Johann Sebastian Bach: Praeludium I C-Dur BWV 846 | Květa Novotná | C Major | 1 | 8B | 103 BPM |