Vincent Scotto, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic's 'Scotto / Arr Schifrin: Around the World Part 4: Sous les ponts de Paris' came out on August 1, 1994. The duration of Scotto / Arr Schifrin: Around the World Part 4: Sous les ponts de Paris is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Scotto / Arr Schifrin: Around the World Part 4: Sous les ponts de Paris's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "The Three Tenors in Concert, 1994". In this album, this song's track order is #17. Scotto / Arr Schifrin: Around the World Part 4: Sous les ponts de Paris is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Scotto / Arr Schifrin: Around the World Part 4: Sous les ponts de Paris by Vincent Scotto, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
The music key of this track is C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La tempranica: La tarantula e un bicho mu malo, "Zapateado" | Jerónimo Giménez, Teresa Berganza, English Chamber Orchestra, E. García Asensio | C Major | 3 | 8B | 109 BPM | ||
Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | A♭ Major | 1 | 4B | 86 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 142 BPM | ||
Nessun dorma - finale (From "Turandot") - Remasterizado | Luis Cobos | G Major | 3 | 9B | 88 BPM | ||
La barcarolle | Filippa Giordano | E Minor | 3 | 9A | 181 BPM | ||
Der Zigeunerbaron, Act I: Als flotter Geist - Ja, das alles auf Ehr | Nicolai Gedda, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Franz Allers | C Major | 4 | 8B | 84 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
La Sonnambula (1997 Digital Remaster): Compagne, temiri amici ....Come per me sereno | Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | A♭ Major | 1 | 4B | 113 BPM | ||
Swedish Rhapsody No. 1, Op. 19 'Midsummer Vigil' | Hugo Alfvén, Bournemouth Symphony Orchestra, Paavo Berglund | D Major | 2 | 10B | 101 BPM | ||
Don Pasquale: Tornami a dir che m'ami | Angela Gheorghiu, Richard Armstrong, Roberto Alagna | A Major | 0 | 11B | 90 BPM |