Georges Bizet, Berlin Rundfunk Symphonie Orchester, Heinz Rögner made "L'Arlesienne Suite No. 2 (arr. E. Guirand): IV. Farandole" available on 1974. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Georges Bizet, Berlin Rundfunk Symphonie Orchester, Heinz Rögner's "Georges Bizet: Arlesienne Suites Nos. 1 and 2 (L') / La jolie fille de Perth Suite / Jeux d'enfants [Berlin Radio Symphony, Rogner]" album is number 8 out of 17. On top of that, Germany appears to be the country where this track was created. Based on our statistics, L'Arlesienne Suite No. 2 (arr. E. Guirand): IV. Farandole's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of L'Arlesienne Suite No. 2 (arr. E. Guirand): IV. Farandole by Georges Bizet, Berlin Rundfunk Symphonie Orchester, Heinz Rögner to be Allegro (fast, quick, and bright) because the track has a tempo of 147 テンポ, a half-time of 74テンポ, and a double-time of 294 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Variations on a Theme from Bizet's Opera "Carmen" - Arrangement for Piano by Vladimir Horowitz | Vladimir Horowitz, Patrick Rapold | E Major | 3 | 12B | 125 BPM | ||
Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | ||
Spanish Capriccio in A Major, Op. 34: IV. Scena e canto gitano. Allegretto | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | G Major | 3 | 9B | 99 BPM | ||
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee | Nikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir Ashkenazy | D Minor | 0 | 7A | 187 BPM | ||
Symphonie Fantastique, Op. 14: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Valery Gergiev | G Minor | 1 | 6A | 76 BPM | ||
Carmen Suite No. 1: 4. Les dragons d'Alcala | Georges Bizet, Orchestre de Paris, Semyon Bychkov | G Major | 0 | 9B | 117 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": III. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, Musica Aeterna | G Major | 5 | 9B | 82 BPM | ||
Le carnaval des animaux, R. 125: IX. Le coucou au fond des bois - X. Volière - XI. Pianistes | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | B♭ Minor | 1 | 3A | 114 BPM |