"Pièces de viole du Troisième Livre, suite VII en sol majeur: La Guitare [107] (1711)" by Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman was released on September 27, 2011. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman's "Marin Marais: Pièces de viole des Cinq Livres" album is number 10 out of 83. The popularity of Pièces de viole du Troisième Livre, suite VII en sol majeur: La Guitare [107] (1711) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pièces de viole du Troisième Livre, suite VII en sol majeur: La Guitare [107] (1711) by Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman to be Presto (very, very fast) because the track has a tempo of 184 テンポ, a half-time of 92テンポ, and a double-time of 368 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Sonnerie de Sainte Geneviève du Mont de Paris | Marin Marais, Trio Sonnerie | A♭ Major | 0 | 4B | 69 BPM | ||
Viola da Gamba Suite in D Major: I. Prelude | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 85 BPM | ||
Pavanne in F-sharp minor | Louis Couperin, Richard Egarr | E Minor | 1 | 9A | 68 BPM | ||
5e livre de viole: Chaconne | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi | D Major | 0 | 10B | 98 BPM | ||
Alcidiane: Petite Chaconne | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 150 BPM | ||
Pavan | Orlando Gibbons, The Rose Consort Of Viols | F♯ Major | 1 | 2B | 79 BPM | ||
Libro quarto d'intavolatura di chitarone: No. 1, Toccata prima | Giovanni Girolamo Kapsberger, Rolf Lislevand, Eduardo Egüez, Brian Feehan, Lorenz Duftschmid | D Minor | 1 | 7A | 113 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Partite sopra diverse sonate: Passa Galli | Giovanni Battista Vitali, Ensemble 1700 | E Minor | 0 | 9A | 99 BPM | ||
Circe, Z. 575: Magicians' Dance | Henry Purcell, Giles Tomkins, Brian Duyn, Peter Mahon, Neil Aronoff, Nicole Bower, Roz McArthur, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 113 BPM |