"Libro quarto d'intavolatura di chitarone: No. 1, Toccata prima" by Giovanni Girolamo Kapsberger, Rolf Lislevand, Eduardo Egüez, Brian Feehan, Lorenz Duftschmid was released on January 1, 1993. Libro quarto d'intavolatura di chitarone: No. 1, Toccata prima is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. The track order of this song in Giovanni Girolamo Kapsberger, Various Artists's "Kapsberger: Libro quarto d'intavolatura di chitaronne" album is number 1 out of 18. On top of that, France appears to be the country where this track was created. In terms of popularity, Libro quarto d'intavolatura di chitarone: No. 1, Toccata prima is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Libro quarto d'intavolatura di chitarone: No. 1, Toccata prima by Giovanni Girolamo Kapsberger, Rolf Lislevand, Eduardo Egüez, Brian Feehan, Lorenz Duftschmid to be Moderato (at a moderate speed) because the track has a tempo of 113 テンポ, a half-time of 56テンポ, and a double-time of 226 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Nomine No. 2 | William Byrd, The Rose Consort Of Viols | F♯ Minor | 1 | 11A | 108 BPM | ||
Sonata in C Minor: III. Allegretto | Bernhard Joachim Hagen, Lutz Kirchhof | B Minor | 1 | 10A | 149 BPM | ||
Diverse bizzarrie sopra la Vecchia Sarabanda ò pur Ciaccona | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 3 | 1B | 79 BPM | ||
Anchor che col partire' | Paolo Pandolfo, Céline Scheen, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 138 BPM | ||
Suite in G Minor from Ms. Lobkowicz: VII. Canarie | Charles Mouton, Anders Ericson | F♯ Minor | 1 | 11A | 0 BPM | ||
Fugue in G Minor, BWV 1000 | Johann Sebastian Bach, Evangelina Mascardi | F♯ Minor | 1 | 11A | 80 BPM | ||
Amantissime Jesu (Sinfonia) | Pascuale Carrozza, Cappella Mediterranea, Leonardo García-Alarcón | B♭ Minor | 0 | 3A | 110 BPM | ||
La Sultane, Sonade en quatuor: III. Air (Tendrement) | François Couperin, Gli Incogniti, Amandine Beyer | D♭ Major | 1 | 3B | 103 BPM | ||
Balletto Quarto: Adaggio | Maurizio Cazzati, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | F♯ Minor | 1 | 11A | 130 BPM | ||
Prélude à 7 cordes | Monsieur de Sainte-Colombe, Hille Perl | D♭ Major | 0 | 3B | 114 BPM |