"Balletto Quarto: Adaggio" by Maurizio Cazzati, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent was released on January 24, 2006. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Teatro Lirico". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Based on our statistics, Balletto Quarto: Adaggio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Balletto Quarto: Adaggio by Maurizio Cazzati, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent having a テンポ of 130 with a half-time of 65 テンポ and a double-time of 260 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pieces for 2 Lutes: III. Corant | William Lawes, Jacob Heringman, David Miller | A Major | 0 | 11B | 90 BPM | ||
Ancor che col partire (Arr. The Dowland Project, Potter) | Cipriano de Rore, The Dowland Project | A Minor | 1 | 8A | 111 BPM | ||
Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: I. Sonata | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin | C Minor | 0 | 5A | 148 BPM | ||
Caro dolce ben mio perche fuggire | Andrea Gabrieli, Bruce Dickey, Stephen Stubbs, Erin Headley, Andrew Lawrence-King | A Minor | 0 | 8A | 62 BPM | ||
Concerto en fa majeur, HWV 293, Op. 4, No. 5: I. Larghetto | George Frideric Handel, Seattle Baroque Orchestra, Maxine Eilander, Stephen Stubbs | E Major | 0 | 12B | 73 BPM | ||
El cant dels ocells (Version for Cello & String Quartet) | Pablo Casals, Ofra Harnoy, Orford String Quartet | E♭ Minor | 0 | 2A | 87 BPM | ||
Aria della Fulia variata (con parti variati) | Giovanni Paolo Foscarini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 190 BPM | ||
Lute Sonata No. 11 in D Minor: I. Fantasia | Silvius Leopold Weiss, Robert Barto | A♭ Minor | 1 | 1A | 153 BPM | ||
In Nomine No. 2 | William Byrd, The Rose Consort Of Viols | F♯ Minor | 1 | 11A | 108 BPM | ||
Spadi : Anchor che co'l partire | Giovanni Battista Spadi, Il Giardino Armonico | B♭ Minor | 0 | 3A | 110 BPM |