"Ancor che col partire (Arr. The Dowland Project, Potter)" by Cipriano de Rore, The Dowland Project was released on October 13, 2003. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 15 in Care-charming sleep by The Dowland Project, John Potter. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Ancor che col partire (Arr. The Dowland Project, Potter) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ancor che col partire (Arr. The Dowland Project, Potter) by Cipriano de Rore, The Dowland Project is Moderato (at a moderate speed), since this song has a tempo of 111 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tutti i madrigali a quattro voci: No. 8, Ancor che col partire | Cipriano de Rore, La Guilde des Mercenaires, Adrien Mabire, Violaine Le Chenadec, Jean-Luc Ho | A♭ Major | 1 | 4B | 108 BPM | ||
Laetatus sum I | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Arae post libamina / Nunc surgunt | Mayshuet de Joan, Gothic Voices | D Major | 1 | 10B | 109 BPM | ||
Messa della Madonna: Kyrye della Madonna IV | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
Intemerata Dei mater: III. Aspiciat facito | Johannes Ockeghem, Owain Park, The Gesualdo Six | F Major | 2 | 7B | 124 BPM | ||
Chansons: De plus en plus se renouvelle | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | A♭ Major | 0 | 4B | 69 BPM | ||
V. Christus ist mein Leben, Sterben ist mein Gewinn | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM | ||
Taverner: Missa Corona spinea - 01. Gloria in excelsis Deo | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 88 BPM | ||
Sheppard: Missa Cantate - 2e. Qui propter nos homines | John Sheppard, The Tallis Scholars, Peter Phillips | G Major | 2 | 9B | 95 BPM |