Mayshuet de Joan, Gothic Voices made "Arae post libamina / Nunc surgunt" available on June 11, 2021. With Arae post libamina / Nunc surgunt being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 27 in Echoes of an Old Hall by Gothic Voices. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Arae post libamina / Nunc surgunt is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Arae post libamina / Nunc surgunt by Mayshuet de Joan, Gothic Voices is Moderato (at a moderate speed), since this song has a tempo of 109 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thou Knowest, Lord, the Secrets of Our Hearts, Z. 58c | Henry Purcell, The Gesualdo Six, Owain Park | D Minor | 2 | 7A | 69 BPM | ||
J'atendray tant qu'il vous playra | Guillaume Dufay, Gothic Voices, Christopher Page | D Minor | 1 | 7A | 78 BPM | ||
Palestrina: Assumpta Est Maria in Caelum - 1. Assumpta Est Maria in Caelum | The Tallis Scholars, Peter Phillips | F♯ Minor | 2 | 11A | 78 BPM | ||
Deus, qui beatum Marcum a 10, C. 36 | Giovanni Gabrieli, Gesualdo Consort Amsterdam, Oltremontano, Wim Becu | B Major | 1 | 1B | 87 BPM | ||
Biber: Requiem a 15 in A Major: VI. Agnus Dei | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 0 | 6B | 108 BPM | ||
Corps feminin | Solage, Gothic Voices | A♭ Minor | 1 | 1A | 139 BPM | ||
Te deum, LWV 55: IX. Quos pretioso sanguine redemisti | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Missa Mille regretz. Agnus Dei III | The Royal Wind Music, Capella Sancta María, Alfred Fernández | B♭ Minor | 1 | 3A | 75 BPM | ||
Crucifixus a 8 voci | Antonio Lotti, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM | ||
Adieu ces bons vins de Lannoys | Guillaume Dufay, Gothic Voices, Christopher Page | D Minor | 1 | 7A | 78 BPM |