"Partite sopra diverse sonate: Passa Galli" by Giovanni Battista Vitali, Ensemble 1700 was released on April 3, 2020. The duration of Partite sopra diverse sonate: Passa Galli is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Partite sopra diverse sonate: Passa Galli's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 18 in Discovery of Passion by Dorothee Oberlinger, Dmitry Sinkovsky. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Partite sopra diverse sonate: Passa Galli is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Partite sopra diverse sonate: Passa Galli by Giovanni Battista Vitali, Ensemble 1700 is Andante (at a walking pace), since this song has a tempo of 99 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Minor, Op. 6 No. 3: I. Largo andante | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 119 BPM | ||
"Sonate à quatre parties" In D Major: 1. Allegro | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 185 BPM | ||
I Portentosi Effetti Della Madre Natura: Atto Primo: Femmina consigliata! (Recitativo) | Giuseppe Scarlatti, Dorothee Oberlinger, Ensemble 1700, Filippo Mineccia, Maria Ladurner | D♭ Major | 1 | 3B | 131 BPM | ||
Chiacona per la lettera B | Giovanni Battista Vitali, Bruno Cocset, Les Basses Réunies | B Major | 3 | 1B | 139 BPM | ||
Pastorelle en Musique, TWV deest: No. 19, Will's beim Freien immer schneien (Aria) | Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Virgil Hartinger | D♭ Major | 5 | 3B | 96 BPM | ||
Wiener Minoritenkonvent, Manuscript XIV 726: Musicalisch Uhrwerck No. 68 in A Minor, for Violin and Continuo | Anonymous, Georg Kallweit, Björn Colell | A♭ Major | 1 | 4B | 105 BPM | ||
Concerto Grosso in E-Flat Major, Op. 7 No. 6 "Il Pianto d'Arianna": VI. Largo | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | E♭ Major | 1 | 5B | 98 BPM | ||
Violin Sonata in E Minor, Op. 5 No. 3: I. Largo | Jean-Marie Leclair, Adrian Butterfield, Sarah McMahon, Silas Wollston | A Major | 4 | 11B | 125 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: I. Andante | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 108 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 1: I. Allegro | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | D♭ Major | 3 | 3B | 130 BPM |