Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Virgil Hartinger made "Pastorelle en Musique, TWV deest: No. 19, Will's beim Freien immer schneien (Aria)" available on June 3, 2022. The duration of Pastorelle en Musique, TWV deest: No. 19, Will's beim Freien immer schneien (Aria) is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Pastorelle en Musique, TWV deest: No. 19, Will's beim Freien immer schneien (Aria)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Telemann: Pastorelle en musique". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. In terms of popularity, Pastorelle en Musique, TWV deest: No. 19, Will's beim Freien immer schneien (Aria) is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Pastorelle en Musique, TWV deest: No. 19, Will's beim Freien immer schneien (Aria) by Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Virgil Hartinger having a テンポ of 96 with a half-time of 48 テンポ and a double-time of 192 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite, TWV 55:B8: Scaramouche - Arranged for Violin and Cimbalom | Georg Philipp Telemann, Marcel Comendant, Il Suonar Parlante Orchestra, Vittorio Ghielmi, Stanislav Palúch | D Minor | 6 | 7A | 142 BPM | ||
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: VII. Minuet | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 1 | 12B | 185 BPM | ||
Quartet in G major / Sol majeur / G-dur: II. Vivace - Moderato - Vivace | Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | E♭ Minor | 2 | 2A | 115 BPM | ||
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM | ||
Concerto Grosso No. 3 in F Major: III. Allegro | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 135 BPM | ||
Oboe Sonata No. 3: I. Adagio | Francesco Geminiani, Ensemble Barocco Sans Souci | E♭ Minor | 1 | 2A | 129 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
Oboe Concerto in F Minor, TWV 51:f2: II. Largo | Georg Philipp Telemann, Marcel Ponseele, Il Gardellino | E Minor | 1 | 9A | 81 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: IV. Les Capricieuses | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 136 BPM |