Charles Avison, Café Zimmermann's 'Concerto in D Minor, Op. 6 No. 3: I. Largo andante' came out on January 1, 2002. With Concerto in D Minor, Op. 6 No. 3: I. Largo andante being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 26 in Avison: Concertos in Seven Parts Done from the Lessons of Domenico Scarlatti (Alpha Collection) by Charles Avison, Café Zimmermann. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Concerto in D Minor, Op. 6 No. 3: I. Largo andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto in D Minor, Op. 6 No. 3: I. Largo andante by Charles Avison, Café Zimmermann is Moderato (at a moderate speed), since this song has a tempo of 119 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso No. 3 in F Major: III. Allegro | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 135 BPM | ||
Violin Sonata in G Minor: III. Adagio | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | F♯ Minor | 0 | 11A | 88 BPM | ||
Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
Chacony in G | John Blow, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 120 BPM | ||
Flute Concerto No. 2 in C Minor: I. Prelude - Lentement | Michel Pignolet de Montéclair, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | D♭ Major | 0 | 3B | 79 BPM | ||
Recorder Sonata No. 12 in G Minor: I. Largo | Francesco Mancini, Dan Laurin, London Baroque | F♯ Minor | 1 | 11A | 91 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: I. Largo | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 1 | 1A | 88 BPM | ||
Violin Concerto in C Major, Op. 7 No. 3: III. Allegro assai | Jean-Marie Leclair, Fabio Biondi, Europa Galante | B Major | 2 | 1B | 108 BPM | ||
Sonata Accademica IX, Op.2: Largo | Francesco Maria Veracini, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | F♯ Minor | 3 | 11A | 88 BPM | ||
Concerto In A Major, Op.12, No.1: 1. Largo | Jean-Baptiste Quentin, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 1 | 1A | 101 BPM |