Charles Avison, Café Zimmermann's 'Concerto in D Major, Op. 6 No. 6: III. Adagio' came out on January 1, 2002. With Concerto in D Major, Op. 6 No. 6: III. Adagio being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 26 in Avison: Concertos in Seven Parts Done from the Lessons of Domenico Scarlatti (Alpha Collection) by Charles Avison, Café Zimmermann. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Concerto in D Major, Op. 6 No. 6: III. Adagio is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Concerto in D Major, Op. 6 No. 6: III. Adagio by Charles Avison, Café Zimmermann is Andante (at a walking pace), since this song has a tempo of 107 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Varie partite del passemezo, ciaccona, capricii, e passagalii, Op. 7: Ciaccona | Giovanni Battista Vitali, London Baroque | E Major | 1 | 12B | 101 BPM | ||
Sonata No. 5 in E Minor, RV 40, Op. 14: IV. Allegro | Antonio Vivaldi, Jaap Ter Linden, Lars Ulrik Mortensen, Judith-Maria Becker | E♭ Minor | 1 | 2A | 107 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 87 BPM | ||
Sonata Quinta in E Minor: II. Courente | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | E♭ Minor | 2 | 2A | 90 BPM | ||
Concerto for 4 Keyboards in A Minor, BWV 1065 (arr. of Vivaldi's, Concerto for 4 Violins in B Minor, Op. 3, No. 10, RV 580): II. Adagio | Johann Sebastian Bach, Anna Fontana, Dirk Börner, Constance Borner, Céline Frisch, Café Zimmermann | F♯ Major | 1 | 2B | 132 BPM | ||
Organ Concerto No.5 in F, Op.4 No.5 HWV 293: 3. Alla siciliana | George Frideric Handel, Accademia Bizantina, Ottavio Dantone | A♭ Major | 0 | 4B | 119 BPM | ||
Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
Gavotta (Presto) | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Major | 1 | 4B | 97 BPM | ||
Violin Sonata in E-Flat Major: III. Allegro assai | Franz Benda, Georg Kallweit, Berlin Baroque Compagney | A Major | 1 | 11B | 139 BPM |