Nicola Matteis, Gli Incogniti, Amandine Beyer made "Gavotta (Presto)" available on August 1, 2009. With Gavotta (Presto) being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Nicola Matteis, Gli Incogniti, Amandine Beyer's "Matteis: False Consonances of Melancholy" album is number 23 out of 40. On top of that, France appears to be the country where this track was created. In terms of popularity, Gavotta (Presto) is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Gavotta (Presto) by Nicola Matteis, Gli Incogniti, Amandine Beyer to be Andante (at a walking pace) because the track has a tempo of 97 テンポ, a half-time of 48テンポ, and a double-time of 194 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ludi musici I: 16. Alamande a 4, SSWV 54 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | B Major | 2 | 1B | 92 BPM | ||
Ground in G Minor | John Blow, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Sinfonie et gagliarde, Libro 1: Sinfonia 11 "in Eco" | Salomone Rossi, Dorothee Oberlinger, Dmitry Sinkovsky | D Minor | 0 | 7A | 127 BPM | ||
Pieces de clavecin, Book 2: 7th Ordre: La Menetou (Rondeau) (arr. Y. Imamura) | François Couperin, Yasunori Imamura | D Minor | 1 | 7A | 97 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": IV. Scotch Tune | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 107 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Minor | 1 | 12A | 110 BPM | ||
Dances: Sighes | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | C Major | 1 | 8B | 85 BPM | ||
Chacony in G | John Blow, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 120 BPM | ||
Suite No. 12 in C Major, FbWV 612: II. Courante | Johann Jakob Froberger, Władysław Kłosiewicz | F♯ Major | 3 | 2B | 128 BPM | ||
La flora: Trombe d'Ausonia | Marc'Antonio Ziani, Maria Keohane, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A Major | 3 | 11B | 123 BPM |