"Requiem, Op. 9: IV. Sanctus" by Maurice Duruflé, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole was released on March 1, 2024. The duration of Requiem, Op. 9: IV. Sanctus is about 3 minutes long, at 3:12. Based on our data, "Requiem, Op. 9: IV. Sanctus" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 13 in Duruflé: Requiem; Poulenc: Lenten Motets by The Choir Of Trinity College, Cambridge, Stephen Layton. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Requiem, Op. 9: IV. Sanctus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 9: IV. Sanctus by Maurice Duruflé, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Drei geistliche Chöre, Op. 37 No. 1: O bone Jesu | Johannes Brahms, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg | E♭ Major | 2 | 5B | 101 BPM | ||
Mass No. 2 in E Minor, WAB 27: Kyrie | Anton Bruckner, SWR Vokalensemble Stuttgart, WDR Sinfonieorchester Köln, Marcus Creed | F♯ Major | 1 | 2B | 133 BPM | ||
4 Gesange, Op. 17: Es tont ein voller Harfenklang | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 1 | 8B | 111 BPM | ||
Romanzen und Balladen, Book 1, Op. 67: Der Konig von Thule | Robert Schumann, SWR Vokalensemble Stuttgart, Rupert Huber | G Major | 2 | 9B | 169 BPM | ||
Ubi caritas | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | F♯ Minor | 0 | 11A | 78 BPM | ||
Choral varié sur le thème du Veni Creator, Op. 4 | Maurice Duruflé, Karl Blume, Cantores in Ecclesia, Mark Williams, Dean Applegate | F Major | 0 | 7B | 125 BPM | ||
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantemus Children Choir, Szabó Dénes, Váradi Antal | B Minor | 0 | 10A | 85 BPM | ||
Madrigali - Six "FireSongs" on Italian Renaissance Poems: VI. Se per havervi, oimé | Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt | D♭ Major | 0 | 3B | 51 BPM | ||
Prelude, Adagio et Choral varie sur le theme du Veni Creator, Op. 4: Adagio | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal | D♭ Major | 0 | 3B | 86 BPM | ||
Hymnen, Op. 140: Nr. 4 Ave Regina | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | D♭ Major | 1 | 3B | 69 BPM |