Robert Schumann, SWR Vokalensemble Stuttgart, Rupert Huber's 'Romanzen und Balladen, Book 1, Op. 67: Der Konig von Thule' came out on April 27, 2010. The duration of Romanzen und Balladen, Book 1, Op. 67: Der Konig von Thule is about 3 minutes long, at 3:00. Based on our data, "Romanzen und Balladen, Book 1, Op. 67: Der Konig von Thule" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 32 in the song's album "Schumann: Romanzen und Balladen". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. The popularity of Romanzen und Balladen, Book 1, Op. 67: Der Konig von Thule is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romanzen und Balladen, Book 1, Op. 67: Der Konig von Thule by Robert Schumann, SWR Vokalensemble Stuttgart, Rupert Huber having a テンポ of 169 with a half-time of 84 テンポ and a double-time of 338 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
9 Preludes, Op. 1: No. 1 in B Minor. Andante ma non troppo | Karol Szymanowski, Krystian Zimerman | G Minor | 0 | 6A | 78 BPM | ||
Schumann: Bunte Blätter, Op. 99: No. 6, Albumblätter III | Robert Schumann, Maria João Pires | A♭ Major | 0 | 4B | 91 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Allegro in D Major, K. 626b/16 | Wolfgang Amadeus Mozart, Seong-Jin Cho | D Major | 1 | 10B | 137 BPM | ||
Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei (Arr. Cello & Piano) | Robert Schumann, Lynn Harrell, Bruno Canino | F Major | 0 | 7B | 67 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Douce rêverie in G Minor | Tekla Bądarzewska-Baranowska, Hiroko Ishimoto | G Minor | 1 | 6A | 131 BPM |