"Drei geistliche Chöre, Op. 37 No. 1: O bone Jesu" by Johannes Brahms, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg was released on November 11, 2013. With Drei geistliche Chöre, Op. 37 No. 1: O bone Jesu being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 21 in Brahms by Johannes Brahms, Marit Tøndel Bodsberg Weyde, Kvindelige Studenters Sangforening. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. In terms of popularity, Drei geistliche Chöre, Op. 37 No. 1: O bone Jesu is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Drei geistliche Chöre, Op. 37 No. 1: O bone Jesu by Johannes Brahms, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg is Andante (at a walking pace), since this song has a tempo of 101 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jesu, the Very Thought of Thee | Edward Bairstow, York Minster Choir, Philip Moore | E♭ Major | 0 | 5B | 78 BPM | ||
O Salve Regina | Alice Tegner, Lund Korallerna Girls Choir, Lund Cantores Cathedrales, Eva Svanholm Bohlin | G Minor | 1 | 6A | 82 BPM | ||
Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | D Minor | 1 | 7A | 81 BPM | ||
I furuskogen | Wilhelm Peterson-Berger, Stella Kammarkör, Solvieg Agren | A♭ Major | 4 | 4B | 134 BPM | ||
Nôtre Père, Op. 14 | Truro Cathedral Choir | F Major | 0 | 7B | 115 BPM | ||
Repleti sunt | Jacobus Gallus, Pro Musica, Szabó Dénes | F Minor | 1 | 4A | 134 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Alma Redemptoris | University of King's College Chapel Choir, Paul Halley | E♭ Major | 1 | 5B | 84 BPM | ||
The Benediction | Laestadian Lutheran Church, Viena Kontkanen | E Major | 1 | 12B | 87 BPM | ||
Violin Sonata No. 3 in D Minor, Op. 108: Adagio | Johannes Brahms, Ilya Kaler, Alexander Peskanov | D Major | 1 | 10B | 72 BPM |