"Dialogues des Carmélites, FP 159: Ave Maria" by Francis Poulenc, Cantemus Children Choir, Szabó Dénes, Váradi Antal was released on June 4, 1998. With Dialogues des Carmélites, FP 159: Ave Maria being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 20 in Ave Maria by Szabó Dénes, Cantemus Children Choir, Pro Musica. Going off of the ISRC code of this track, we detected that the origin of this track is from Hungary. Dialogues des Carmélites, FP 159: Ave Maria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dialogues des Carmélites, FP 159: Ave Maria by Francis Poulenc, Cantemus Children Choir, Szabó Dénes, Váradi Antal is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Herren är min herde | Gunnar de Frumerie, Lunds Vokalensemble, Ingemar Mansson | D♭ Major | 0 | 3B | 137 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
Canticles & Prayers, Having Beheld a Strange Nativity: No. 11, Glory (Quiet) | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | A♭ Minor | 0 | 1A | 84 BPM | ||
Burial Sentences: III. We Brought Nothing Into This World | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | F Minor | 0 | 4A | 88 BPM | ||
Les soirées de Nazelles, FP 84: 3. La Désinvolture et la discretion | Francis Poulenc, Pascal Rogé | A Minor | 0 | 8A | 70 BPM | ||
Le Bal Masqué: I. Préambule et Air de bravoure | Francis Poulenc, Malcolm Martineau, Thomas Allen, Julian Bliss, Jarek Augustyniak, Simon Desbruslais, Tamsin Waley-Cohen, Gemma Rosefield, David Corkhill, Andrew Barnard, Gary Lovenest, David Cowley | G Major | 3 | 9B | 94 BPM | ||
O Magnum Mysterium | Sexteto Cantábile, Betty Sainz | B♭ Minor | 1 | 3A | 112 BPM | ||
Fem Latinske Kirkekor: 1. Jubilate Deo Omnis Terra | Arild Sandvold, Kåre Hanken, Schola Cantorum | A♭ Major | 1 | 4B | 94 BPM | ||
När natten skänker frid | Karin Rehnqvist, Stockholms Musikgymnasium Chamber Choir, Helene Stureborg | D Minor | 0 | 7A | 139 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 1, Lord, Save the Pious | Georgy Sviridov, Unknown Artist, Latvian Radio Choir, Sigvards Kļava | F♯ Major | 0 | 2B | 171 BPM |