Leonard Bernstein, June Anderson, Christa Ludwig, London Symphony Orchestra's 'Candide, Act II: No. 18, We Are Women' came out on January 1, 1991. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Candide, Act II: No. 18, We Are Women is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Candide, Act II: No. 18, We Are Women by Leonard Bernstein, June Anderson, Christa Ludwig, London Symphony Orchestra is Adagio (slowly with great expression), since this song has a tempo of 73 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rusalka, Op. 114 / Act 1: I pekne vitam | Antonín Dvořák, Franz Hawlata, Livia Aghova, Dana Buresova, Hana Minutillo, Czech Philharmonic Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
The sun whose rays are all ablaze | Arthur Sullivan, Valerie Masterson, Royal Philharmonic Orchestra, Royston Nash | G Major | 1 | 9B | 84 BPM | ||
Carmina Burana: XXI. In trutina | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 170 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13 - English version: Finale: "Though this house give glimm'ring light" | Felix Mendelssohn, Jennifer Vyvyan, Female Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Peter Maag | E Major | 1 | 12B | 79 BPM | ||
17. You may go, for you're at liberty | Arthur Sullivan, Valerie Masterson, Pauline Wales, Christene Palmer, Jean Allister, Philip Potter, George Cook, John Reed, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | F Major | 3 | 7B | 106 BPM | ||
The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part Two - Glorification of the Chosen Victim (1921 Version) | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | B♭ Minor | 6 | 3A | 133 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 14. Finale: E.D.U. (Allegro - Presto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 2 | 9B | 115 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
A Quiet Place, Act II: But First I'd Like to Sing You a Little Song - Live | Leonard Bernstein, Beverly Morgan, Peter Kazaras, John Brandstetter, Chester Ludgin, Vienna Radio Symphony Orchestra | D Minor | 2 | 7A | 78 BPM | ||
Symphony No.2 in C Minor - "Resurrection" / 4: "Urlicht": Sehr feierlich, aber schlicht - Live | Gustav Mahler, Christa Ludwig, New York Philharmonic, Leonard Bernstein | D♭ Major | 0 | 3B | 139 BPM |